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<title>Michael Chabon</title>
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<span id="openzim-page-title" class="mw-page-title-main"><span class="mw-page-title-main">Michael Chabon</span></span>
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</style><div role="note" class="hatnote navigation-not-searchable">"Chabon" redirects here. For a Scythian fortress, see <a href="Palakion" title="Palakion">Palakion</a>.</div>
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</style><table class="infobox vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div style="display:inline;" class="fn">Michael Chabon</div></th></tr><tr><td colspan="2" class="infobox-image"><div class="infobox-caption" style="line-height:1.4em;">Chabon at <a href="San_Diego_Comic_Con" class="mw-redirect" title="San Diego Comic Con">San Diego Comic Con</a> in 2019</div></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Born</th><td class="infobox-data" style="line-height:1.4em;"><span style="display:none"> (<span class="bday">1963-05-24</span>) </span>May 24, 1963<br><a href="Washington%2C_D.C." title="Washington, D.C.">Washington, D.C.</a>, U.S.</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Pen name</th><td class="infobox-data nickname" style="line-height:1.4em;">Leon Chaim Bach<br>Malachi B. Cohen<br>August Van Zorn</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Occupation</th><td class="infobox-data role" style="line-height:1.4em;"><style data-mw-deduplicate="TemplateStyles:r1129693374">
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<ul><li>Novelist</li>
<li>screenwriter</li>
<li>columnist</li>
<li>short story writer</li></ul>
</div></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Education</th><td class="infobox-data" style="line-height:1.4em;"><a href="Carnegie_Mellon_University" title="Carnegie Mellon University">Carnegie Mellon University</a><br><a href="University_of_Pittsburgh" title="University of Pittsburgh">University of Pittsburgh</a> (<a href="Bachelor_of_Arts" title="Bachelor of Arts">BA</a>)<br><a href="University_of_California%2C_Irvine" title="University of California, Irvine">University of California, Irvine</a> (<a href="Master_of_Fine_Arts" title="Master of Fine Arts">MFA</a>)</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Period</th><td class="infobox-data" style="line-height:1.4em;">1987–present</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Notable works</th><td class="infobox-data" style="line-height:1.4em;"><i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i> (1995), <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i> (2000), <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i> (2007), <i><a href="Telegraph_Avenue_(novel)" title="Telegraph Avenue (novel)">Telegraph Avenue</a></i> (2012), <i><a href="Moonglow%3A_A_Novel" class="mw-redirect" title="Moonglow: A Novel">Moonglow: A Novel</a></i> (2016)</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Notable awards</th><td class="infobox-data" style="line-height:1.4em;">1999 <a href="O._Henry_Award" title="O. Henry Award">O. Henry Award</a><br>2001 <a href="Pulitzer_Prize_for_Fiction" title="Pulitzer Prize for Fiction">Pulitzer Prize for Fiction</a><br> 2007 <a href="Nebula_Award_for_Best_Novel" title="Nebula Award for Best Novel">Nebula Award for Best Novel</a><br> 2008 <a href="Hugo_Award_for_Best_Novel" title="Hugo Award for Best Novel">Hugo Award for Best Novel</a><br> 2008 <a href="Sidewise_Award_for_Alternate_History" title="Sidewise Award for Alternate History">Sidewise Award for Alternate History</a></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Spouse</th><td class="infobox-data" style="line-height:1.4em;"><style data-mw-deduplicate="TemplateStyles:r1126788409">
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<div class="marriage-display-inline"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Lollie Groth</div>
<div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1987; <abbr title="divorced">div.</abbr> 1991)<wbr></div>
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<div class="marriage-display-inline"><div style="display:inline-block;line-height:normal;"><a href="Ayelet_Waldman" title="Ayelet Waldman">Ayelet Waldman</a></div> <div style="display:inline-block;"></div>(<abbr title="married">m.</abbr> 1993)<wbr></div>
</div></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Children</th><td class="infobox-data" style="line-height:1.4em;">4</td></tr><tr><th colspan="2" class="infobox-header">Website</th></tr><tr><td colspan="2" class="infobox-full-data" style="line-height:1.4em;"><span class="url"><a rel="nofollow" class="external text" href="http://michaelchabon.com">Official website</a></span></td></tr></tbody></table>
<p><b>Michael Chabon</b> (<span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt" lang="en-fonipa">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="/ʃ/: 'sh' in 'shy'">ʃ</span><span title="/eɪ/: 'a' in 'face'">eɪ</span><span title="'b' in 'buy'">b</span><span title="/ɒ/: 'o' in 'body'">ɒ</span><span title="'n' in 'nigh'">n</span></span>/</span></span> <i title="English pronunciation respelling"><span style="font-size:90%">SHAY</span>-bon</i>;<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>
born May 24, 1963) is an American novelist, screenwriter, columnist, and short story writer.<sup id="cite_ref-eleanor_2-0" class="reference"><a href="#cite_note-eleanor-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Born in <a href="Washington%2C_D.C." title="Washington, D.C.">Washington, D.C.</a>, he studied at <a href="Carnegie_Mellon_University" title="Carnegie Mellon University">Carnegie Mellon University</a> for one year before transferring to the <a href="University_of_Pittsburgh" title="University of Pittsburgh">University of Pittsburgh</a>, graduating in 1984. He subsequently received a <a href="Master_of_Fine_Arts" title="Master of Fine Arts">Master of Fine Arts</a> in creative writing from the <a href="University_of_California%2C_Irvine" title="University of California, Irvine">University of California, Irvine</a>.
</p><p>Chabon's first novel, <i><a href="The_Mysteries_of_Pittsburgh" title="The Mysteries of Pittsburgh">The Mysteries of Pittsburgh</a></i> (1988), was published when he was 24. He followed it with <i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i> (1995) and two short-story collections. In 2000, he published <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>, awarded the <a href="Pulitzer_Prize_for_Fiction" title="Pulitzer Prize for Fiction">Pulitzer Prize for Fiction</a> in 2001; <a href="John_Leonard_(critic)" title="John Leonard (critic)">John Leonard</a> described it as Chabon's <a href="Masterpiece" title="Masterpiece">magnum opus</a>.<sup id="cite_ref-meshuga_3-0" class="reference"><a href="#cite_note-meshuga-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>.
</p><p>His novel <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>, an <a href="Alternate_history" title="Alternate history">alternate history</a> mystery novel, was published in 2007 and won the <a href="Hugo_Award" title="Hugo Award">Hugo</a>, <a href="Sidewise_Award_for_Alternate_History" title="Sidewise Award for Alternate History">Sidewise</a>, <a href="Nebula_Award" title="Nebula Award">Nebula</a> and <a href="Premio_Ignotus" title="Premio Ignotus">Ignotus</a> awards;<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> his serialized novel <i><a href="Gentlemen_of_the_Road" title="Gentlemen of the Road">Gentlemen of the Road</a></i> appeared in book form in the fall of the same year. In 2012, Chabon published <i><a href="Telegraph_Avenue_(novel)" title="Telegraph Avenue (novel)">Telegraph Avenue</a></i>, billed as "a twenty-first century <i><a href="Middlemarch" title="Middlemarch">Middlemarch</a></i>", concerning the tangled lives of two families in the San Francisco Bay Area in 2004. He followed <i>Telegraph Avenue</i> in November 2016 with his latest novel, <i><a href="Moonglow%3A_A_Novel" class="mw-redirect" title="Moonglow: A Novel">Moonglow</a></i>, a fictionalized memoir of his maternal grandfather, based on his deathbed confessions under the influence of powerful painkillers in Chabon's mother's California home in 1989.
</p><p>Chabon's work is characterized by complex language, and the frequent use of <a href="Metaphor" title="Metaphor">metaphor</a><sup id="cite_ref-eintro_7-0" class="reference"><a href="#cite_note-eintro-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> along with recurring themes such as nostalgia,<sup id="cite_ref-eintro_7-1" class="reference"><a href="#cite_note-eintro-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> divorce, abandonment, fatherhood, and most notably issues of <a href="Jewish_identity" title="Jewish identity">Jewish identity</a>.<sup id="cite_ref-meshuga_3-1" class="reference"><a href="#cite_note-meshuga-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> He often includes gay, bisexual, and Jewish characters in his work.<sup id="cite_ref-meshuga_3-2" class="reference"><a href="#cite_note-meshuga-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-rolling_9-0" class="reference"><a href="#cite_note-rolling-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Since the late 1990s, he has written in increasingly diverse styles for varied outlets; he is a notable defender of the merits of <a href="Genre_fiction" title="Genre fiction">genre fiction</a> and plot-driven fiction, and, along with novels, has published screenplays, children's books, comics, and newspaper <a href="Serial_(literature)" title="Serial (literature)">serials</a>.
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<div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2></div>
<div class="mw-heading mw-heading3"><h3 id="Early_life">Early life</h3></div>
<p>Chabon was born in <a href="Washington%2C_D.C." title="Washington, D.C.">Washington, D.C.</a>, to an <a href="Ashkenazi" class="mw-redirect" title="Ashkenazi">Ashkenazi</a> <a href="Jewish" class="mw-redirect" title="Jewish">Jewish</a> family. His parents are Robert Chabon, a physician and lawyer, and Sharon Chabon, a lawyer. Chabon said he knew he wanted to be a writer when, at the age of ten, he wrote his first short story for a class assignment. When the story received an A, he recalls, "I thought to myself, 'That's it. That's what I want to do. I can do this.' And I never had any second thoughts or doubts."<sup id="cite_ref-writing_10-0" class="reference"><a href="#cite_note-writing-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Referring to popular culture, he wrote of being raised "on a hearty diet of crap".<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> His parents divorced when he was 11, and he grew up in <a href="Pittsburgh" title="Pittsburgh">Pittsburgh</a>, Pennsylvania, and <a href="Columbia%2C_Maryland" title="Columbia, Maryland">Columbia</a>, Maryland. Columbia, where he lived nine months of the year with his mother, was "a progressive planned living community in which racial, economic, and religious diversity were actively fostered."<sup id="cite_ref-eintro_7-2" class="reference"><a href="#cite_note-eintro-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> He has written of his mother's <a href="Marijuana" class="mw-redirect" title="Marijuana">marijuana</a> use, recalling her "sometime around 1977 or so, sitting in the front seat of her friend Kathy's car, passing a little metal pipe back and forth before we went in to see a movie."<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> He grew up hearing <a href="Yiddish" title="Yiddish">Yiddish</a> spoken by his mother's parents and siblings.<sup id="cite_ref-yiddish_13-0" class="reference"><a href="#cite_note-yiddish-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon attended <a href="Carnegie_Mellon_University" title="Carnegie Mellon University">Carnegie Mellon University</a> for a year before transferring to the <a href="University_of_Pittsburgh" title="University of Pittsburgh">University of Pittsburgh</a>, where he studied under <a href="Chuck_Kinder" title="Chuck Kinder">Chuck Kinder</a> and received a Bachelor of Arts in 1984.<sup id="cite_ref-eintro_7-3" class="reference"><a href="#cite_note-eintro-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> He went on to graduate school at the <a href="University_of_California%2C_Irvine" title="University of California, Irvine">University of California, Irvine</a>, where he received a <a href="Master_of_Fine_Arts" title="Master of Fine Arts">Master of Fine Arts</a> in creative writing.
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<div class="mw-heading mw-heading3"><h3 id="The_Mysteries_of_Pittsburgh_and_initial_literary_success"><i>The Mysteries of Pittsburgh</i> and initial literary success</h3></div>
<p>Chabon's first novel, <i><a href="The_Mysteries_of_Pittsburgh" title="The Mysteries of Pittsburgh">The Mysteries of Pittsburgh</a></i>, was written as his UC Irvine master's thesis. Without telling Chabon, his professor, <a href="Donald_Heiney" title="Donald Heiney">Donald Heiney</a> (better known by his pen name, MacDonald Harris), sent it to a literary agent,<sup id="cite_ref-monitor_14-0" class="reference"><a href="#cite_note-monitor-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> who got the author an impressive $155,000 advance on the novel, though most first-time novelists receive advances under $7,500.<sup id="cite_ref-sent_15-0" class="reference"><a href="#cite_note-sent-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> <i>The Mysteries of Pittsburgh</i> appeared in 1988 and was a bestseller, instantly catapulting Chabon to literary celebrity. Among his major literary influences in this period were <a href="Donald_Barthelme" title="Donald Barthelme">Donald Barthelme</a>, <a href="Jorge_Luis_Borges" title="Jorge Luis Borges">Jorge Luis Borges</a>, <a href="Gabriel_Garc%C3%ADa_M%C3%A1rquez" title="Gabriel García Márquez">Gabriel García Márquez</a>, <a href="Raymond_Chandler" title="Raymond Chandler">Raymond Chandler</a>, <a href="John_Updike" title="John Updike">John Updike</a>, <a href="Philip_Roth" title="Philip Roth">Philip Roth</a> and <a href="F._Scott_Fitzgerald" title="F. Scott Fitzgerald">F. Scott Fitzgerald</a>.<sup id="cite_ref-guardian.co.uk_16-0" class="reference"><a href="#cite_note-guardian.co.uk-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> As he remarked in 2010, "I just copied the writers whose voices I was responding to, and I think that's probably the best way to learn."<sup id="cite_ref-guardian.co.uk_16-1" class="reference"><a href="#cite_note-guardian.co.uk-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon was ambivalent about his newfound fame. He turned down offers to appear in a <a href="Gap_(clothing_retailer)" class="mw-redirect" title="Gap (clothing retailer)">Gap</a> ad and to be featured as one of <i><a href="People_(magazine)" title="People (magazine)">People</a></i><span class="nowrap" style="padding-left:0.1em;">'</span>s "50 Most Beautiful People".<sup id="cite_ref-buzbee_17-0" class="reference"><a href="#cite_note-buzbee-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> He later said of the <i>People</i> offer, "I don't give a shit [about it] ... I only take pride in things I've actually done myself. To be praised for something like that is just weird. It just felt like somebody calling and saying, 'We want to put you in a magazine because the weather's so nice where you live.' "<sup id="cite_ref-rolling_9-1" class="reference"><a href="#cite_note-rolling-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup>
</p><p>In 2001, Chabon reflected on the success of his first novel, noting that while "the upside was that I was published and I got a readership," the downside was the emotional impact: "this stuff started happening and I was still like, 'Wait a minute, is my thesis done yet?' It took me a few years to catch up."<sup id="cite_ref-rolling_9-2" class="reference"><a href="#cite_note-rolling-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> In 1991, he published <i><a href="A_Model_World_and_Other_Stories" title="A Model World and Other Stories">A Model World</a></i>, a collection of short stories, many of which were previously published in <i><a href="The_New_Yorker" title="The New Yorker">The New Yorker</a></i>.
</p>
<div class="mw-heading mw-heading3"><h3 id="Fountain_City_and_Wonder_Boys"><i>Fountain City</i> and <i>Wonder Boys</i></h3></div>
<p>After the success of <i>The Mysteries of Pittsburgh</i>, Chabon spent five years working on a second novel, <i>Fountain City</i>, a "highly ambitious opus ... about an architect building a perfect baseball park in Florida."<sup id="cite_ref-onion_18-0" class="reference"><a href="#cite_note-onion-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> It ballooned to 1,500 pages, with no end in sight.<sup id="cite_ref-writing_10-1" class="reference"><a href="#cite_note-writing-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> The process was frustrating for Chabon, who, in his words, "never felt like I was conceptually on steady ground."<sup id="cite_ref-onion_18-1" class="reference"><a href="#cite_note-onion-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup>
</p><p>At one point, he submitted a 672-page draft to his agent and editor, who disliked the work. Chabon had problems dropping the novel, though. "It was really scary," he said later. "I'd already signed a contract and been paid all this money. And then I'd gotten a divorce and half the money was already with my ex-wife. My instincts were telling me, 'This book is fucked. Just drop it.' But I didn't, because I thought, 'What if I have to give the money back?' "<sup id="cite_ref-newsie_19-0" class="reference"><a href="#cite_note-newsie-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> "I used to go down to my office and fantasize about all the books I could write instead." Chabon has confessed to being "careless and sloppy" when it came to his novels' plots, saying how he "again and again falls back on the same basic story."<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup>
</p><p>When he finally decided to abandon <i>Fountain City</i>, Chabon recalls staring at his blank computer for hours before suddenly picturing "a straitlaced, troubled young man with a tendency toward melodrama, trying to end it all."<sup id="cite_ref-writing_10-2" class="reference"><a href="#cite_note-writing-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> He began writing, and within a couple of days had written 50 pages of what became his second novel, <i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i>. Chabon drew on his own experiences with <i>Fountain City</i> for the character of Grady Tripp, a frustrated novelist who has spent years working on an immense fourth novel. He wrote <i>Wonder Boys</i> in a dizzy seven-month streak, without telling his agent or publisher he'd abandoned <i>Fountain City</i>. The book, published in 1995, was a commercial and critical success.
</p><p>In late 2010, "An annotated, four-chapter fragment"<sup id="cite_ref-theatlantic.com_21-0" class="reference"><a href="#cite_note-theatlantic.com-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> from the unfinished 1,500 page <i>Fountain City</i> manuscript, "complete with cautionary introduction and postscript"<sup id="cite_ref-theatlantic.com_21-1" class="reference"><a href="#cite_note-theatlantic.com-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> written by Chabon, was included in <i><a href="Timothy_McSweeney's_Quarterly_Concern#36" title="Timothy McSweeney's Quarterly Concern">McSweeney's 36</a></i>.<sup id="cite_ref-theatlantic.com_21-2" class="reference"><a href="#cite_note-theatlantic.com-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="The_Amazing_Adventures_of_Kavalier_&_Clay"><i>The Amazing Adventures of Kavalier & Clay</i></h3></div>
<div role="note" class="hatnote navigation-not-searchable">Main article: <a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></div>
<p>Among the supporters of <i>Wonder Boys</i> was <i><a href="The_Washington_Post" title="The Washington Post">The Washington Post</a></i> critic <a href="Jonathan_Yardley" title="Jonathan Yardley">Jonathan Yardley</a>; however, despite declaring Chabon "the young star of American letters", Yardley argued that, in his works to that point, Chabon had been preoccupied "with fictional explorations of his own ... It is time for him to move on, to break away from the first person and explore larger worlds."<sup id="cite_ref-yardley_22-0" class="reference"><a href="#cite_note-yardley-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Chabon later said that he took Yardley's criticism to heart, explaining, "It chimed with my own thoughts. I had bigger ambitions."<sup id="cite_ref-powell_23-0" class="reference"><a href="#cite_note-powell-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> In 1999 he published his second collection of short stories, <i>Werewolves in Their Youth</i>, which included his first published foray into <a href="Genre_fiction" title="Genre fiction">genre fiction</a>,<sup id="cite_ref-eleanor_2-1" class="reference"><a href="#cite_note-eleanor-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> the grim horror story "In the Black Mill".
</p><p>Shortly after completing <i>Wonder Boys</i>, Chabon discovered a box of comic books from his childhood; a reawakened interest in comics, coupled with memories of the "lore" his <a href="Brooklyn" title="Brooklyn">Brooklyn</a>-born father had told him about "the middle years of the twentieth century in America. ...the radio shows, politicians, movies, music, and athletes, and so forth, of that era," inspired him to begin work on a new novel.<sup id="cite_ref-boldty_24-0" class="reference"><a href="#cite_note-boldty-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> In 2000, he published <i>The Amazing Adventures of Kavalier & Clay</i>, an epic <a href="Historical_fiction" title="Historical fiction">historical novel</a> that charts 16 years in the lives of Sammy Clay and Joe Kavalier, two Jewish cousins who create a wildly popular series of comic books in the early 1940s, the years leading up to the entry of the U.S. into World War II. The novel received "nearly unanimous praise" and became a <a href="New_York_Times_Best_Seller_list" class="mw-redirect" title="New York Times Best Seller list"><i>New York Times</i> Best Seller</a>,<sup id="cite_ref-eintro_7-4" class="reference"><a href="#cite_note-eintro-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> eventually winning the 2001 <a href="Pulitzer_Prize_for_Fiction" title="Pulitzer Prize for Fiction">Pulitzer Prize for Fiction</a>. Chabon reflected that, in writing <i>Kavalier & Clay</i>, "I discovered strengths I had hoped that I possessed—the ability to pull off multiple points of view, historical settings, the passage of years—but which had never been tested before."<sup id="cite_ref-failb_25-0" class="reference"><a href="#cite_note-failb-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="Summerland,_The_Final_Solution,_Gentlemen_of_the_Road,_and_The_Yiddish_Policemen's_Union"><i>Summerland</i>, <i>The Final Solution</i>, <i>Gentlemen of the Road</i>, and <i>The Yiddish Policemen's Union</i></h3></div>
<p>In 2002, Chabon published <i><a href="Summerland_(novel)" title="Summerland (novel)">Summerland</a></i>, a fantasy novel written for younger readers that received mixed reviews but sold extremely well,<sup id="cite_ref-timberg_26-0" class="reference"><a href="#cite_note-timberg-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> and won the 2003 <a href="Mythopoeic_Awards" title="Mythopoeic Awards">Mythopoeic Fantasy Award</a>. Two years later, he published <i><a href="The_Final_Solution_(novel)" title="The Final Solution (novel)">The Final Solution</a></i>, a novella about an investigation led by an unknown old man, whom the reader can guess to be <a href="Sherlock_Holmes" title="Sherlock Holmes">Sherlock Holmes</a>, during the final years of World War II. His <a href="Dark_Horse_Comics" title="Dark Horse Comics">Dark Horse Comics</a> project <i><a href="The_Escapist_(character)" class="mw-redirect" title="The Escapist (character)">The Amazing Adventures of the Escapist</a></i>, a quarterly anthology series that was published from 2004 to 2006, purported to cull stories from an involved, fictitious 60-year history of the Escapist character created by the protagonists of <i>The Amazing Adventures of Kavalier & Clay</i>. It was awarded the 2005 <a href="Eisner_Award" class="mw-redirect" title="Eisner Award">Eisner Award</a> for <a href="Eisner_Award_for_Best_Anthology" title="Eisner Award for Best Anthology">Best Anthology</a> and a pair of <a href="Harvey_Awards" title="Harvey Awards">Harvey Awards</a> for Best Anthology and Best New Series.
</p><p>In late 2006, Chabon completed work on <i><a href="Gentlemen_of_the_Road" title="Gentlemen of the Road">Gentlemen of the Road</a></i>, a 15-part serialized novel that ran in <i><a href="The_New_York_Times_Magazine" title="The New York Times Magazine">The New York Times Magazine</a></i> from January 28 to May 6, 2007. The serial (which at one point had the working title "Jews with Swords") was described by Chabon as "a swashbuckling adventure story set around the year 1000."<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Just before <i>Gentlemen of the Road</i> completed its run, the author published his next novel, <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>, which he had worked on since February 2002. A hard-boiled detective story that imagines an <a href="Alternate_history" title="Alternate history">alternate history</a> in which Israel collapsed in 1948 and European Jews settled in Alaska,<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> the novel was released on May 1, 2007, to enthusiastic reviews,<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> and spent six weeks on the <i>New York Times</i> Best Seller list.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> The novel also won the 2008 <a href="Hugo_Award" title="Hugo Award">Hugo Award</a>.
</p>
<div class="mw-heading mw-heading3"><h3 id="Manhood_for_Amateurs_and_Telegraph_Avenue"><i>Manhood for Amateurs</i> and <i>Telegraph Avenue</i></h3></div>
<p>In May 2007, Chabon said that he was working on a young-adult novel with "some fantastic content."<sup id="cite_ref-kirsch_31-0" class="reference"><a href="#cite_note-kirsch-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> A month later, the author said he had put plans for the young-adult book on hold,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> and instead had signed a two-book deal with <a href="HarperCollins" title="HarperCollins">HarperCollins</a>.
</p><p>The first, a book-length work of non-fiction called <i><a href="Manhood_for_Amateurs" title="Manhood for Amateurs">Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son</a></i>, was published in spring 2009 (2010 in Europe); the work discusses "being a man in all its complexity—a son, a father, a husband."<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> The collection was nominated for a 2010 Northern California Book Award in the Creative Nonfiction category.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> This was Chabon's second published collection of essays and non-fiction. <a href="McSweeney's" title="McSweeney's">McSweeney's</a> published <i><a href="Maps_and_Legends" title="Maps and Legends">Maps and Legends</a></i>, a collection of Chabon's literary essays, on May 1, 2008.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Proceeds from the book benefited <a href="826_National" title="826 National">826 National</a>.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Also in 2008, Chabon received the <a href="Helmerich_Award" title="Helmerich Award">Peggy V. Helmerich Distinguished Author Award</a>, presented annually by the <a href="Tulsa_City-County_Library" title="Tulsa City-County Library">Tulsa (Oklahoma) Library Trust</a>.
</p><p>During a 2007 interview with the <i>Washington Post</i>, Chabon discussed his second book under the contract, saying, "I would like it to be set in the present day and feel right now the urge to do something more mainstream than my recent work has been." During a Q&A session in January 2009, Chabon added that he was writing a "naturalistic" novel about two families in Berkeley.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> In a March 2010 interview with the <i>Guardian</i> newspaper, Chabon added that "So far there's no overtly genre content: it's set in the present day and has no alternate reality or anything like that."<sup id="cite_ref-guardian.co.uk_16-2" class="reference"><a href="#cite_note-guardian.co.uk-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup>
</p><p><i><a href="Telegraph_Avenue_(novel)" title="Telegraph Avenue (novel)">Telegraph Avenue</a></i>, adapted from an idea for a TV series pilot that Chabon was asked to write in 1999, is a <a href="Social_novel" title="Social novel">social novel</a> set on the borders between Oakland and Berkeley in the summer of 2004 that sees a "large cast of characters grapple with infidelity, fatherhood, crooked politicians, racism, nostalgia and buried secrets."<sup id="cite_ref-sfgate.com_38-0" class="reference"><a href="#cite_note-sfgate.com-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> Chabon said upon publication in an interview with the <i>San Francisco Chronicle</i> that the novel concerns "the possibility and impossibility of creating shared community spaces that attempt to transcend the limits imposed on us by our backgrounds, heritage and history."<sup id="cite_ref-sfgate.com_38-1" class="reference"><a href="#cite_note-sfgate.com-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> Five years in gestation, <i>Telegraph Avenue</i> had a difficult birth, Chabon telling the <i><a href="The_Guardian" title="The Guardian">Guardian</a></i> newspaper, "I got two years into the novel and got completely stymied and felt like it was an utter flop.... I had to start all over again, keeping the characters but reinventing the story completely and leaving behind almost every element."<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> After starting out with literary realism with his first two novels and moving into genre-fiction experiments from <i>The Amazing Adventures of Kavalier & Clay</i> onward, Chabon feels that <i>Telegraph Avenue</i> is a significant "unification" of his earlier and later styles, declaring in an interview, "I could do whatever I wanted to do in this book and it would be OK even if it verged on crime fiction, even if it verged on magic realism, even if it verged on martial arts fiction.... I was open to all of that and yet I didn't have to repudiate or steer away from the naturalistic story about two families living their everyday lives and coping with pregnancy and birth and adultery and business failure and all the issues that might go into making a novel written in the genre of mainstream quote-unquote realistic fiction, that that was another genre for me now and I felt free to mix them all in a sense."<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> The novel has been optioned by film producer <a href="Scott_Rudin" title="Scott Rudin">Scott Rudin</a> (who previously optioned and produced <i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i>), and <a href="Cameron_Crowe" title="Cameron Crowe">Cameron Crowe</a> is adapting the novel into a screenplay, according to Chabon.<sup id="cite_ref-sfgate.com_38-2" class="reference"><a href="#cite_note-sfgate.com-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup>
</p><p>In a public lecture and reading of the novel in Oakland, California, Chabon listed creative influences as broad as <a href="Sir_Arthur_Conan_Doyle" class="mw-redirect" title="Sir Arthur Conan Doyle">Sir Arthur Conan Doyle</a>, <a href="Robert_Altman" title="Robert Altman">Robert Altman</a>, and <a href="William_Faulkner" title="William Faulkner">William Faulkner</a>.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="Moonglow,_Pops,_Bookends,_and_current_work"><i>Moonglow</i>, <i>Pops</i>, <i>Bookends</i>, and current work</h3></div>
<p>Chabon's latest novel, <i>Moonglow</i>, was published November 22, 2016.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> The novel is a quasi-metafictional memoir, based upon the deathbed confessions of Chabon's grandfather in the late 1980s.
</p><p>Chabon followed-up <i>Moonglow</i> in summer 2017 with the edited collection <i>Kingdom of Olives and Ash: Writers Confront the Occupation</i>, a non-fiction collection of essays by writers concerning the ongoing Israeli occupation of the West Bank and Gaza, featuring contributions from writers including Dave Eggers, Colum McCann, and Geraldine Brooks. Chabon co-edited the volume with Ayelet Waldman, and they both contributed essays to the collection.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> Chabon had previously weighed in on the Israeli-Palestinian conflict in 2010, having written an op-ed piece for the <i>New York Times</i> in June 2010 in which he noted the role of exceptionalism in Jewish identity, in relation to the "blockheadedness" of Israel's botching of the <a href="Gaza_flotilla_raid" class="mw-redirect" title="Gaza flotilla raid">Gaza flotilla raid</a> and the explanations that followed.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup>
</p><p><i>Pops: Fatherhood in Pieces</i> was published in May 2018. <i>Pops</i> is a short non-fiction memoir/essay collection, the essays thematically linked by the rewards and challenges of various aspects of fatherhood and family.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon's next non-fiction book, <i>Bookends: Collected Intros and Outros</i>, was published in January 2019. This volume is a collections of introductions, afterwords, and liner notes that Chabon has contributed over the years to various books and other projects, also exploring Chabon's own literary influences and ideas about writing and reading.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> The book serves as a fundraiser for <a href="The_MacDowell_Colony" class="mw-redirect" title="The MacDowell Colony">MacDowell</a>, to which Chabon is contributing all royalties.
</p><p>In an interview with the American Booksellers Association promoting <i>Moonglow</i> in November 2016, Chabon stated that his next fiction project would be "...a long overdue follow-up—but not a sequel—to <i>Summerland</i>, my book for a somewhat younger readership. It's something I've been trying to get around to for a long time."<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup>
</p><p>Despite his success, Chabon continues to perceive himself as a "failure", noting that "anyone who has ever received a bad review knows how it outlasts, by decades, the memory of a favorable word."<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="Amazon_vs._Hachette_controversy">Amazon vs. Hachette controversy</h3></div>
<p>In 2014, <a href="Amazon.com" class="mw-redirect" title="Amazon.com">Amazon.com</a>, a leading book distributor, was in a dispute with <a href="Hachette_Book_Group_USA" class="mw-redirect" title="Hachette Book Group USA">Hachette</a>, a publisher. Hundreds of authors, Chabon included, condemned Amazon in an open letter because Amazon stopped taking pre-orders for books published by Hachette.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="Personal_life">Personal life</h3></div>
<p>After the publication of <i>The Mysteries of Pittsburgh</i>, Chabon was mistakenly featured in a <i><a href="Newsweek" title="Newsweek">Newsweek</a></i> article on up-and-coming gay writers (<i>Pittsburgh</i><span class="nowrap" style="padding-left:0.1em;">'</span>s protagonist has liaisons with people of both sexes). <i><a href="The_New_York_Times" title="The New York Times">The New York Times</a></i> later reported that "in some ways, [Chabon] was happy" for the magazine's error, and quoted him as saying, "I feel very lucky about all of that. It really opened up a new readership to me, and a very loyal one."<sup id="cite_ref-buzbee_17-1" class="reference"><a href="#cite_note-buzbee-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> In a 2002 interview, Chabon added, "If <i>Mysteries of Pittsburgh</i> is about anything in terms of human sexuality and identity, it's that people can't be put into categories all that easily."<sup id="cite_ref-Metro_Weekly_50-0" class="reference"><a href="#cite_note-Metro_Weekly-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> In "On <i>The Mysteries of Pittsburgh</i>", an essay he wrote for the <i><a href="New_York_Review_of_Books" class="mw-redirect" title="New York Review of Books">New York Review of Books</a></i> in 2005, Chabon remarked on the autobiographical events that helped inspire his first novel: "I had slept with one man whom I loved, and learned to love another man so much that it would never have occurred to me to want to sleep with him."<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup>
</p><p>In 1987, Chabon married the poet Lollie Groth. According to Chabon, the popularity of <i>The Mysteries of Pittsburgh</i> had adverse effects; he later explained, "I was married at the time to someone else who was also a struggling writer, and the success created a gross imbalance in our careers, which was problematic."<sup id="cite_ref-rolling_9-3" class="reference"><a href="#cite_note-rolling-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> He and Groth divorced in 1991.
</p><p>He married the <a href="Israel" title="Israel">Israeli</a>-born writer <a href="Ayelet_Waldman" title="Ayelet Waldman">Ayelet Waldman</a> in 1993. They live together in <a href="Berkeley%2C_California" title="Berkeley, California">Berkeley</a>, California, with their four children.<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Chabon has said that the "creative free-flow" he has with Waldman inspired the relationship between Sammy Clay and Rosa Saks toward the end of <i>The Amazing Adventures of Kavalier & Clay</i>,<sup id="cite_ref-boldty_24-1" class="reference"><a href="#cite_note-boldty-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> and in 2007, <i><a href="Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a></i> declared the couple "a famous—and famously in love—writing pair, like <a href="Nick_and_Nora_Charles" title="Nick and Nora Charles">Nick and Nora Charles</a> with word processors and not so much booze."<sup id="cite_ref-kirsch_31-1" class="reference"><a href="#cite_note-kirsch-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup>
</p><p>In a 2012 interview with <a href="Guy_Raz" title="Guy Raz">Guy Raz</a> of <i><a href="Weekend_All_Things_Considered" class="mw-redirect" title="Weekend All Things Considered">Weekend All Things Considered</a></i>, Chabon said that he writes from 10 p.m. to 3 a.m. each day, Sunday through Thursday.<sup id="cite_ref-npr_53-0" class="reference"><a href="#cite_note-npr-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> He tries to write 1,000 words a day. Commenting on the rigidity of his routine, Chabon said, "There have been plenty of self-destructive rebel-angel novelists over the years, but writing is about getting your work done and getting your work done every day. If you want to write novels, they take a long time, and they're big, and they have a lot of words in them.... The best environment, at least for me, is a very stable, structured kind of life."<sup id="cite_ref-rolling_9-4" class="reference"><a href="#cite_note-rolling-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon was a vocal endorser of Barack Obama during his 2008 election campaign,<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> and wrote an enthusiastic opinion piece on Obama for the <i>New York Review of Books</i>, titled "Obama & the Conquest of Denver", in October 2008.<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> Subsequently, Chabon included a brief, fictionalized 'cameo' by Obama in his 2012 novel <i><a href="Telegraph_Avenue_(novel)" title="Telegraph Avenue (novel)">Telegraph Avenue</a></i>.
</p><p>Since 2016, Chabon has been an outspoken critic of <a href="Donald_Trump" title="Donald Trump">Donald Trump</a>, both during his <a href="2016_US_election" class="mw-redirect" title="2016 US election">campaign for the presidency</a> (signing a petition with over 400 other writers against his candidacy in May 2016<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup>), and during his administration. During an interview with <i><a href="The_Guardian_Newspaper" class="mw-redirect" title="The Guardian Newspaper">The Guardian</a></i> before Trump's inauguration in January 2017, Chabon remarked of the incoming president, "I really have no idea what to expect. He's so unpredictable. He's so mercurial. You know, I would be no more surprised if he stood up there and declared amnesty for all illegal immigrants to the United States than if he said he was going to take them all out to be shot. He's like a random impulse generator."<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> In a 2017 radio interview, Chabon spoke of Trump: "Every morning I wake up and in the seconds before I turn my phone on to see what the latest news is, I have this boundless sense of optimism and hope that this is the day that he's going to have a massive stroke, and, you know, be carted out of the White House on a gurney."<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Interest_in_genre_fiction">Interest in genre fiction</h2></div>
<p>In a 2002 essay, Chabon decried the state of modern short fiction (including his own), saying that, with rare exceptions, it consisted solely of "the contemporary, quotidian, plotless, moment-of-truth revelatory story."<sup id="cite_ref-treas_59-0" class="reference"><a href="#cite_note-treas-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> In an apparent reaction against these "plotless [stories] sparkling with epiphanic dew," Chabon's post-2000 work has been marked by an increased interest in <a href="Genre_fiction" title="Genre fiction">genre fiction</a> and plot. While <i>The Amazing Adventures of Kavalier & Clay</i> was, like <i>The Mysteries of Pittsburgh</i> and <i>Wonder Boys</i>, an essentially realistic, contemporary novel (whose plot happened to revolve around comic-book superheroes), Chabon's subsequent works—such as <i>The Final Solution</i>, his dabbling with comic-book writing, and the "swashbuckling adventure" of <i>Gentlemen of the Road</i>—have been almost exclusively devoted to mixing aspects of genre and literary fiction. Perhaps the most notable example of this is <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>, which won five genre awards, including the <a href="Hugo_Award_for_Best_Novel" title="Hugo Award for Best Novel">Hugo Award</a> and <a href="Nebula_Award_for_Best_Novel" title="Nebula Award for Best Novel">Nebula Award</a>.<sup id="cite_ref-monitor_14-1" class="reference"><a href="#cite_note-monitor-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Chabon seeks to "annihilate" not the genres themselves, but the bias against certain genres of fiction such as fantasy, science fiction and romance.<sup id="cite_ref-monitor_14-2" class="reference"><a href="#cite_note-monitor-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon's forays into genre fiction have met with mixed critical reaction. One science fiction short story by Chabon, "The Martian Agent", was described by a reviewer as "enough to send readers back into the cold but reliable arms of <i>The New Yorker</i>."<sup id="cite_ref-nyti_60-0" class="reference"><a href="#cite_note-nyti-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> Another critic wrote of the same story that it was "richly plotted, action-packed", and that "Chabon skilfully elaborates his world and draws not just on the <a href="Steampunk" title="Steampunk">steampunk</a> worlds of <a href="William_Gibson" title="William Gibson">William Gibson</a>, <a href="Bruce_Sterling" title="Bruce Sterling">Bruce Sterling</a> and <a href="Michael_Moorcock" title="Michael Moorcock">Michael Moorcock</a>, but on alternate histories by brilliant science fiction mavericks such as <a href="Avram_Davidson" title="Avram Davidson">Avram Davidson</a> and <a href="Howard_Waldrop" title="Howard Waldrop">Howard Waldrop</a>. The imperial politics are craftily resonant and the story keeps us hanging on."<sup id="cite_ref-tls_61-0" class="reference"><a href="#cite_note-tls-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> While <i><a href="The_Village_Voice" title="The Village Voice">The Village Voice</a></i> called <i>The Final Solution</i> "an ingenious, fully imagined work, an expert piece of literary <a href="Ventriloquism" title="Ventriloquism">ventriloquism</a>, and a mash note to the beloved boys' tales of Chabon's youth,"<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> <i><a href="The_Boston_Globe" title="The Boston Globe">The Boston Globe</a></i> wrote, "[T]he genre of the comic book is an anemic vein for novelists to mine, lest they squander their brilliance."<sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> <i>The New York Times</i> states that the detective story, "a genre that is by its nature so constrained, so untransgressive, seems unlikely to appeal to the real writer," but adds that "... Chabon makes good on his claim: a successful detective story need not be lacking in literary merit."<sup id="cite_ref-nyti_60-1" class="reference"><a href="#cite_note-nyti-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup>
</p><p>In 2005, Chabon argued against the idea that genre fiction and entertaining fiction should not appeal to "the real writer", saying that the common perception is that "Entertainment ... means junk.... [But] maybe the reason for the junkiness of so much of what pretends to entertain us is that we have accepted—indeed, we have helped to articulate—such a narrow, debased concept of entertainment.... I'd like to believe that, because I read for entertainment, and I write to entertain. Period."<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup>
</p><p>One of the more positive responses to Chabon's brand of "trickster literature" appeared in <i><a href="Time_(magazine)" title="Time (magazine)">Time</a></i> magazine, whose critic <a href="Lev_Grossman" title="Lev Grossman">Lev Grossman</a> wrote that "This is literature in mid-transformation.... [T]he highbrow and the lowbrow, once kept chastely separate, are now hooking up, [and] you can almost see the future of literature coming."<sup id="cite_ref-pop_65-0" class="reference"><a href="#cite_note-pop-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> Grossman classed Chabon with a movement of authors similarly eager to blend literary and popular writing, including <a href="Jonathan_Lethem" title="Jonathan Lethem">Jonathan Lethem</a> (with whom Chabon is friends),<sup id="cite_ref-eleanor_2-2" class="reference"><a href="#cite_note-eleanor-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> <a href="Margaret_Atwood" title="Margaret Atwood">Margaret Atwood</a>, and <a href="Susanna_Clarke" title="Susanna Clarke">Susanna Clarke</a>.
</p><p>On the other hand, in <a href="Slate_(magazine)" title="Slate (magazine)"><i>Slate</i></a> in 2007, <a href="Ruth_Franklin" title="Ruth Franklin">Ruth Franklin</a> said, "Michael Chabon has spent considerable energy trying to drag the decaying corpse of genre fiction out of the shallow grave where writers of serious literature abandoned it."<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="The_Van_Zorn_persona">The Van Zorn persona</h3></div>
<p>For some of his own genre work, Chabon has forged an unusual horror/fantasy fiction persona under the name of August Van Zorn. More elaborately developed than a pseudonym, August Van Zorn is purported to be a pen name for one Albert Vetch (1899–1963).<sup id="cite_ref-vetch_67-0" class="reference"><a href="#cite_note-vetch-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> In Chabon's 1995 novel <i>Wonder Boys</i>, narrator Grady Tripp writes that he grew up in the same hotel as Vetch, who worked as an English professor at the (nonexistent) Coxley College and wrote hundreds of <a href="Pulp_magazine" title="Pulp magazine">pulp</a> stories that were "in the gothic mode, after the manner of <a href="H._P._Lovecraft" title="H. P. Lovecraft">Lovecraft</a> ... but written in a dry, ironic, at times almost whimsical idiom."<sup id="cite_ref-vetch_67-1" class="reference"><a href="#cite_note-vetch-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> A horror-themed short story titled "In the Black Mill" was published in <i><a href="Playboy" title="Playboy">Playboy</a></i> in June 1997 and reprinted in Chabon's 1999 story collection <i>Werewolves in Their Youth</i>, and was attributed to Van Zorn.<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon has created a comprehensive bibliography<sup id="cite_ref-worksvanzorn_69-0" class="reference"><a href="#cite_note-worksvanzorn-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> for Van Zorn, along with an equally fictional literary scholar devoted to his oeuvre named Leon Chaim Bach.<sup id="cite_ref-sween_70-0" class="reference"><a href="#cite_note-sween-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> Bach's now-defunct website<sup id="cite_ref-vanzorn2_71-0" class="reference"><a href="#cite_note-vanzorn2-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> (which existed under the auspices of Chabon's) declared Van Zorn to be, "without question, the greatest unknown horror writer of the twentieth century," and mentioned that Bach had once edited a collection of short stories by Van Zorn titled <i>The Abominations of Plunkettsburg</i>.<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> (The name "Leon Chaim Bach" is an <a href="Anagram" title="Anagram">anagram</a> of "Michael Chabon", as is "Malachi B. Cohen", the name of a fictional comics expert who wrote occasional essays about the Escapist for the character's Dark Horse Comics series.) In 2004, Chabon established the August Van Zorn Prize, "awarded to the short story that most faithfully and disturbingly embodies the tradition of the weird short story as practiced by <a href="Edgar_Allan_Poe" title="Edgar Allan Poe">Edgar Allan Poe</a> and his literary descendants, among them August Van Zorn."<sup id="cite_ref-eleanor_2-3" class="reference"><a href="#cite_note-eleanor-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The first recipient of the prize was <a href="Jason_Roberts_(author)" title="Jason Roberts (author)">Jason Roberts</a>, whose winning story, "7C", was then included in <i>McSweeney's Enchanted Chamber of Astonishing Stories</i>, edited by Chabon.<sup id="cite_ref-sween_70-1" class="reference"><a href="#cite_note-sween-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup>
</p><p>A scene in the film adaptation of Chabon's novel <i>The Mysteries of Pittsburgh</i> shows two characters in a bookstore stocking August Van Zorn books.
</p>
<div class="mw-heading mw-heading2"><h2 id="The_Chabon_universe">The Chabon universe</h2></div>
<p>Chabon has provided several subtle hints throughout his work that the stories he tells take place in a shared fictional universe. One recurring character, who is mentioned in three of Chabon's books but never actually appears, is Eli Drinkwater, a fictional <a href="Catcher" title="Catcher">catcher</a> for the <a href="Pittsburgh_Pirates" title="Pittsburgh Pirates">Pittsburgh Pirates</a> who died abruptly after crashing his car on Mt. Nebo Road.<sup id="cite_ref-smoke_73-0" class="reference"><a href="#cite_note-smoke-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> The most detailed exposition of Drinkwater's life appears in Chabon's 1990 short story "Smoke", which is set at Drinkwater's funeral, and refers to him as "a scholarly catcher, a redoubtable batsman, and a kind, affectionate person."<sup id="cite_ref-smoke_73-1" class="reference"><a href="#cite_note-smoke-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> Drinkwater was again referred to (though not by name) in Chabon's 1995 novel <i>Wonder Boys</i>, in which narrator Grady Tripp explains that his sportswriter friend Happy Blackmore was hired "to ghost the autobiography of a catcher, a rising star who played for Pittsburgh and hit the sort of home runs that linger in the memory for years."<sup id="cite_ref-ghost_74-0" class="reference"><a href="#cite_note-ghost-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup>
</p><p>Tripp explains that Blackmore turned in an inadequate draft, his book contract was cancelled, and the catcher died shortly afterwards, "leaving nothing in Happy's notorious 'files' but the fragments and scribblings of a ghost."<sup id="cite_ref-ghost_74-1" class="reference"><a href="#cite_note-ghost-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> In Chabon's children's book <i>Summerland</i> (2002), it is suggested that Blackmore was eventually able to find a publisher for the biography; the character Jennifer T. mentions that she has read a book called <i>Eli Drinkwater: A Life in Baseball</i>, written by Happy Blackmore.<sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> Drinkwater's name may have been selected in homage to contemporary author <a href="John_Crowley_(author)" title="John Crowley (author)">John Crowley</a>, whom Chabon is on the record as admiring. Crowley's novel <i><a href="Little%2C_Big" title="Little, Big">Little, Big</a></i> featured a main character named Alice Drinkwater.
</p><p>There are also instances in which character surnames reappear from story to story. Cleveland Arning, a character in Chabon's 1988 <a href="Debut_novel" title="Debut novel">debut novel</a>, <i>The Mysteries of Pittsburgh</i>, is described as having come from a wealthy family,<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> one that might be expected to be able to <a href="Financial_endowment" title="Financial endowment">endow</a> a building. Near the end of <i>Wonder Boys</i> (1995), it is mentioned that, on the unnamed college campus at which Grady Tripp teaches, there is a building called Arning Hall "where the English faculty kept office hours."<sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup> Similarly, in Chabon's 1989 short story "A Model World", a character named Levine discovers, or rather plagiarizes, a formula for "nephokinesis" (or cloud control) that wins him respect and prominence in the <a href="Meteorology" title="Meteorology">meteorological</a> field.<sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> In <i>The Amazing Adventures of Kavalier & Clay</i> (2000), a passing reference is made to the "massive Levine School of Applied Meteorology," ostensibly a building owned by <a href="New_York_University" title="New York University">New York University</a>.<sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Songwriting_work">Songwriting work</h2></div>
<p>In 2014, Chabon was involved in writing lyrics for <a href="Mark_Ronson" title="Mark Ronson">Mark Ronson</a>'s album <i><a href="Uptown_Special" title="Uptown Special">Uptown Special</a></i>. In an interview with <a href="WCBN-FM" title="WCBN-FM">WCBN-FM</a>,<sup id="cite_ref-80" class="reference"><a href="#cite_note-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> Chabon described meeting Ronson at a party, and later being contacted to write a song. Chabon penned "Crack in the Pearl", and after growing chemistry with Ronson and <a href="Jeff_Bhasker" title="Jeff Bhasker">Jeff Bhasker</a>, worked on more songs for the album. One of these included the single "Daffodils", which he wrote with <a href="Kevin_Parker_(musician)" title="Kevin Parker (musician)">Kevin Parker</a> of <a href="Tame_Impala" title="Tame Impala">Tame Impala</a>. In total, Chabon helped write 9 of the 11 songs on the album, not including mega-smash hit, "<a href="Uptown_Funk" title="Uptown Funk">Uptown Funk</a>". He has also collaborated with <a href="Adam_Schlesinger" title="Adam Schlesinger">Adam Schlesinger</a> on the song "House of Broken Gingerbread" written for <a href="The_Monkees" title="The Monkees">the Monkees</a>' October 2018 album <a href="Christmas_Party_(The_Monkees_album)" title="Christmas Party (The Monkees album)">Christmas Party</a>. He also co-wrote "Boxes" for <a href="Moses_Sumney" title="Moses Sumney">Moses Sumney</a>, and wrote for an unreleased <a href="Charlie_Puth" title="Charlie Puth">Charlie Puth</a> song.
</p><p>Some of Chabon's musical influences include <a href="Steely_Dan" title="Steely Dan">Steely Dan</a> and <a href="Yes_(band)" title="Yes (band)">Yes</a>.
</p>
<div class="mw-heading mw-heading2"><h2 id="Film_and_television_work">Film and television work</h2></div>
<p>Although Chabon once described his attitude toward Hollywood as "pre-emptive cynicism",<sup id="cite_ref-sent_15-1" class="reference"><a href="#cite_note-sent-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> for years the author has worked to bring both adapted and original projects to the screen. In 1994, Chabon pitched a screenplay entitled <i>The Gentleman Host</i> to producer <a href="Scott_Rudin" title="Scott Rudin">Scott Rudin</a>, a romantic comedy "about old Jewish folks on a third-rate cruise ship out of Miami."<sup id="cite_ref-newsie_19-1" class="reference"><a href="#cite_note-newsie-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Rudin bought the project and developed it with Chabon, but it was never filmed, partly due to the release of the similarly themed film <i><a href="Out_to_Sea" title="Out to Sea">Out to Sea</a></i> in 1997. In the nineties, Chabon also pitched story ideas for both the <a href="X-Men" title="X-Men">X-Men</a><sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> and <a href="Fantastic_Four" title="Fantastic Four">Fantastic Four</a><sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> films, but was rejected.
</p><p>When Rudin was adapting <i>Wonder Boys</i> for the screen, the author declined an offer to write the screenplay, saying he was too busy writing <i>The Amazing Adventures of Kavalier and Clay</i>.<sup id="cite_ref-sent_15-2" class="reference"><a href="#cite_note-sent-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Directed by <a href="Curtis_Hanson" title="Curtis Hanson">Curtis Hanson</a> and starring <a href="Michael_Douglas" title="Michael Douglas">Michael Douglas</a>, <i><a href="Wonder_Boys_(film)" title="Wonder Boys (film)">Wonder Boys</a></i> was released in 2000 to critical acclaim and financial failure.<sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> Having bought the film rights to <i>The Amazing Adventures of Kavalier and Clay</i>, Rudin then asked Chabon to work on that film's screenplay. Although Chabon spent 16 months in 2001 and 2002 working on the novel's film adaptation, the project has been mired in pre-production for years.
</p><p>Chabon's work, however, remains popular in Hollywood, with Rudin purchasing the film rights to <i>The Yiddish Policemen's Union</i>, then titled <i>Hatzeplatz</i>,<sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> in 2002, five years before the book would be published. The same year, <a href="Miramax" title="Miramax">Miramax</a> bought the rights to <i>Summerland</i> and <i>Tales of Mystery and Imagination</i> (a planned collection of eight genre short stories that Chabon has not yet written), each of which was optioned for a sum in the mid-six figures.<sup id="cite_ref-85" class="reference"><a href="#cite_note-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> Chabon also wrote a draft for 2004's <i><a href="Spider-Man_2" title="Spider-Man 2">Spider-Man 2</a></i>, about a third of which was used in the final film. Soon after <i>Spider-Man 2</i> was released, director <a href="Sam_Raimi" title="Sam Raimi">Sam Raimi</a> mentioned that he hoped to hire Chabon to work on the film's sequel, "if I can get him,"<sup id="cite_ref-86" class="reference"><a href="#cite_note-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> but Chabon never worked on <i><a href="Spider-Man_3" title="Spider-Man 3">Spider-Man 3</a></i>.
</p><p>In October 2004, it was announced that Chabon was at work writing Disney's <i>Snow and the Seven</i>, a live-action martial arts retelling of <i><a href="Snow_White_and_the_Seven_Dwarfs_(1937_film)" title="Snow White and the Seven Dwarfs (1937 film)">Snow White and the Seven Dwarfs</a></i> to be directed by master Hong Kong fight choreographer and director <a href="Yuen_Wo_Ping" class="mw-redirect" title="Yuen Wo Ping">Yuen Wo Ping</a>.<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> In August 2006, Chabon said that he had been replaced on <i>Snow</i>, sarcastically explaining that the producers wanted to go in "more of a fun direction."<sup id="cite_ref-sword_88-0" class="reference"><a href="#cite_note-sword-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup>
</p><p>Although Chabon was uninvolved with the project, director <a href="Rawson_Marshall_Thurber" title="Rawson Marshall Thurber">Rawson Marshall Thurber</a> shot a <a href="The_Mysteries_of_Pittsburgh_(film)" title="The Mysteries of Pittsburgh (film)">film adaptation</a> of <i>The Mysteries of Pittsburgh</i> in fall 2006.<sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> The film, which stars <a href="Sienna_Miller" title="Sienna Miller">Sienna Miller</a> and <a href="Peter_Sarsgaard" title="Peter Sarsgaard">Peter Sarsgaard</a>, was released in April 2008. In February 2008, Rudin reported that a film adaptation of <i>The Yiddish Policemen's Union</i> was in pre-production, to be written and directed by the <a href="Coen_brothers" title="Coen brothers">Coen brothers</a>.<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-vary_91-0" class="reference"><a href="#cite_note-vary-91"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> However, as of 2018, Chabon expressed skepticism that the Coens would make the film, saying that they had effectively chosen to make <i><a href="A_Serious_Man" title="A Serious Man">A Serious Man</a></i> instead, and did not wish to do another film with such similar themes.
</p><p>In April 2009, Chabon confirmed he had been hired to do revisions to the script for Disney's <i><a href="John_Carter_(film)" title="John Carter (film)">John Carter</a></i>.<sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup> In July 2015, Chabon was hired to do revisions to the script for Disney's <i>Bob the Musical</i>.<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon joined the writing team of <i><a href="Star_Trek%3A_Picard" title="Star Trek: Picard">Star Trek: Picard</a></i>, a new <i><a href="Star_Trek" title="Star Trek">Star Trek</a></i> series starring <a href="Patrick_Stewart" title="Patrick Stewart">Patrick Stewart</a>, and was named showrunner in July 2019.<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> In November 2018, a <i><a href="Star_Trek%3A_Short_Treks" title="Star Trek: Short Treks">Star Trek: Short Treks</a></i> episode co-written by Chabon, titled "Calypso", was released.<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> Another short, written only by Chabon and titled "Q&A", was released on October 5, 2019.<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> Chabon's <i>Star Trek</i> series premiered on January 23, 2020, with Chabon referring to himself as a lifelong <i><a href="Star_Trek" title="Star Trek">Star Trek</a></i> fan.<sup id="cite_ref-Sepinwall_for_Rolling_Stone,_2020_97-0" class="reference"><a href="#cite_note-Sepinwall_for_Rolling_Stone,_2020-97"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> After the release of Season 1 of <i>Star Trek: Picard</i>, Chabon said in an interview with <i>Variety</i> in March 2020 that he would be involved with Season 2 of <i>Picard</i>, but as an executive producer rather than as showrunner.<sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup>
</p><p>Chabon was also listed as co-creator of the <a href="Netflix" title="Netflix">Netflix</a> miniseries <i><a href="Unbelievable_(miniseries)" title="Unbelievable (miniseries)">Unbelievable</a></i>, and has been working on a television adaptation of <i>Kavalier and Clay</i> with his wife Ayelet Waldman since at least December 2019.<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup>
</p><p>In April 2021, following an article in <i><a href="The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a></i> which alleged numerous instances of physical and emotional abuse from Rudin towards his employees, Chabon wrote a public apology, stating that he had "regularly, even routinely" heard Rudin shout at and insult staff during their twenty years of collaboration, and had once witnessed Rudin throw a pencil at an employee's head. Chabon said, "I'm ashamed. I regret, and I want to apologize for, my part in enabling Scott Rudin's abuse, simply by standing by, saying nothing, looking the other way."<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Honors">Honors</h2></div>
<ul><li>1988 <i><a href="Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i> Southern California Rising Star<sup id="cite_ref-1988latimes_101-0" class="reference"><a href="#cite_note-1988latimes-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup></li>
<li>1997 <a href="International_Dublin_Literary_Award" title="International Dublin Literary Award">International Dublin Literary Award</a> longlist (for <i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i>)</li>
<li>1999 <a href="O._Henry_Award" title="O. Henry Award">O. Henry Award</a> Third Prize (for "Son of the Wolfman")</li>
<li>2000 <a href="National_Book_Critics_Circle_Award" title="National Book Critics Circle Award">National Book Critics Circle Award</a> finalist (Fiction) (for <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>)</li>
<li>2001 <a href="Pulitzer_Prize_for_Fiction" title="Pulitzer Prize for Fiction">Pulitzer Prize for Fiction</a> (for <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>)</li>
<li>2000 California Book Award (Fiction) (for <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>)<sup id="cite_ref-commonwealthclub.org_102-0" class="reference"><a href="#cite_note-commonwealthclub.org-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup></li>
<li>2001 <a href="PEN/Faulkner_Award" class="mw-redirect" title="PEN/Faulkner Award">PEN/Faulkner Award</a> finalist (for <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>)</li>
<li>2002 <a href="International_Dublin_Literary_Award" title="International Dublin Literary Award">International Dublin Literary Award</a> longlist (for <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>)</li>
<li>2005 <a href="National_Jewish_Book_Award" class="mw-redirect" title="National Jewish Book Award">National Jewish Book Award</a> for <i>The Final Solution. A Story of Detection</i><sup id="cite_ref-103" class="reference"><a href="#cite_note-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup></li>
<li>2007 <a href="Sidewise_Award_for_Alternate_History" title="Sidewise Award for Alternate History">Sidewise Award for Alternate History</a> (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)</li>
<li>2007 <a href="Salon_Book_Award" class="mw-redirect" title="Salon Book Award">Salon Book Award</a> (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)</li>
<li>2007 California Book Award (Fiction) (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)<sup id="cite_ref-commonwealthclub.org_102-1" class="reference"><a href="#cite_note-commonwealthclub.org-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup></li>
<li>2008 <a href="Hugo_Award_for_Best_Novel" title="Hugo Award for Best Novel">Hugo Award for Best Novel</a> (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)</li>
<li>2008 <a href="Nebula_Award_for_Best_Novel" title="Nebula Award for Best Novel">Nebula Award for Best Novel</a> (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)</li>
<li>2009 <a href="Premio_Ignotus" title="Premio Ignotus">Premio Ignotus</a> Award for Best Foreign Novel (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)</li>
<li>2009 <a href="International_Dublin_Literary_Award" title="International Dublin Literary Award">International Dublin Literary Award</a> longlist (for <i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i>)</li>
<li>2009 <i><a href="Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a></i> "End-of-the-Decade" Best of list (for <i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i>)</li>
<li>2010 Northern California Book Award (General Nonfiction) nomination (for <i>Manhood for Amateurs</i>)</li>
<li>2010 Elected Chairman of the Board, <a href="MacDowell_Colony" class="mw-redirect" title="MacDowell Colony">MacDowell</a></li>
<li>2012 Inducted into the <a href="American_Academy_of_Arts_and_Letters" title="American Academy of Arts and Letters">American Academy of Arts and Letters</a></li>
<li>2012 <i><a href="Telegraph_(newspaper)" class="mw-redirect" title="Telegraph (newspaper)">Telegraph</a></i> Best Books of 2012 list (for <i>Telegraph Avenue</i>)</li>
<li>2012 <i><a href="London_Evening_Standard" class="mw-redirect" title="London Evening Standard">London Evening Standard</a></i> Books of the Year 2012 list (for <i>Telegraph Avenue</i>)</li>
<li>2012 <i><a href="Kansas_City_Star" class="mw-redirect" title="Kansas City Star">Kansas City Star</a></i> Top 100 Books of 2012 List (fiction) (for <i>Telegraph Avenue</i>)</li>
<li>2012 <a href="Hollywood.com" title="Hollywood.com">Hollywood.com</a> Best Books of 2012 List (for <i>Telegraph Avenue</i>)</li>
<li>2012 <i><a href="New_York_Times" class="mw-redirect" title="New York Times">New York Times</a></i> 100 Notable Books of 2012 List (Fiction & Poetry) (for <i>Telegraph Avenue</i>)</li>
<li>2012 Good Reads Choice Awards 2012 finalist, Best Fiction (for <i>Telegraph Avenue</i>)<sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup></li>
<li>2013 <a href="Los_Angeles_Times_Book_Prize" title="Los Angeles Times Book Prize"><i>Los Angeles Times</i> Book Prize</a> 2012 (fiction) finalist (for <i>Telegraph Avenue</i>)<sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup></li>
<li>2013 California Book Award (Fiction) finalist (for <i>Telegraph Avenue</i>)<sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup></li>
<li>2013 <a href="Premio_Fernanda_Pivano" title="Premio Fernanda Pivano">Fernanda Pivano Award</a> for American Literature<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup></li>
<li>2014 <a href="International_Dublin_Literary_Award" title="International Dublin Literary Award">International Dublin Literary Award</a> longlist (for <i><a href="Telegraph_Avenue" title="Telegraph Avenue">Telegraph Avenue</a></i>)<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup></li>
<li>2017 Jewish Book Council JBC Modern Literary Achievement (citation: "For his general contribution to modern Jewish literature, including his most recent work, <i><a href="Moonglow%3A_A_Novel" class="mw-redirect" title="Moonglow: A Novel">Moonglow</a></i>, described by Jewish Book Council's committee as "a moving panorama of Jewish experience. Chabon serves up his colossal tale of darkness and light in fabulous language, as befits this modern fable.")<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup></li>
<li>2017 <a href="National_Book_Critics_Circle_Award" title="National Book Critics Circle Award">National Book Critics Circle Award</a> finalist (Fiction) (for <i><a href="Moonglow%3A_A_Novel" class="mw-redirect" title="Moonglow: A Novel">Moonglow</a></i>)</li>
<li>2017 California Book Awards Gold Prize (for <i><a href="Moonglow%3A_A_Novel" class="mw-redirect" title="Moonglow: A Novel">Moonglow</a></i>)</li>
<li>2018 <a href="International_Dublin_Literary_Award" title="International Dublin Literary Award">International Dublin Literary Award</a> longlist (for <i><a href="Moonglow%3A_A_Novel" class="mw-redirect" title="Moonglow: A Novel">Moonglow</a></i>)</li></ul>
<div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2></div>
<div role="note" class="hatnote navigation-not-searchable">Main article: <a href="Michael_Chabon_bibliography" title="Michael Chabon bibliography">Michael Chabon bibliography</a></div>
<ul><li><i><a href="The_Mysteries_of_Pittsburgh" title="The Mysteries of Pittsburgh">The Mysteries of Pittsburgh</a></i> (1988)</li>
<li><i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i> (1995)</li>
<li><i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i> (2000)</li>
<li><i><a href="The_Final_Solution_(novel)" title="The Final Solution (novel)">The Final Solution</a></i> (2004)</li>
<li><i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i> (2007)</li>
<li><i><a href="Gentlemen_of_the_Road" title="Gentlemen of the Road">Gentlemen of the Road</a></i> (2007)</li>
<li><i><a href="Telegraph_Avenue_(novel)" title="Telegraph Avenue (novel)">Telegraph Avenue</a></i> (2012)</li>
<li><i><a href="Moonglow_(novel)" title="Moonglow (novel)">Moonglow</a></i> (2016)</li>
<li><i>The Night Garden</i> (2026)</li></ul>
<div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2></div>
<p><b>Film</b>
</p>
<ul><li><i><a href="Spider-Man_2" title="Spider-Man 2">Spider-Man 2</a></i> (2004) (Story only)</li>
<li><i><a href="John_Carter_(film)" title="John Carter (film)">John Carter</a></i> (2012)</li></ul>
<p><b>Television</b>
</p>
<table class="wikitable plainrowheaders">
<tbody><tr>
<th scope="col">Year
</th>
<th scope="col">Title
</th>
<th scope="col">Writer
</th>
<th scope="col">Executive<br>producer
</th>
<th scope="col">Creator
</th>
<th scope="col">Notes
</th></tr>
<tr>
<td>2018–19
</td>
<td><i><a href="Star_Trek%3A_Short_Treks" title="Star Trek: Short Treks">Star Trek: Short Treks</a></i>
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td style="background:#FFC7C7;color:black;vertical-align:middle;text-align:center;" class="table-no">No
</td>
<td style="background:#FFC7C7;color:black;vertical-align:middle;text-align:center;" class="table-no">No
</td>
<td>2 episodes
</td></tr>
<tr>
<td>2019
</td>
<td><i><a href="Unbelievable_(miniseries)" title="Unbelievable (miniseries)">Unbelievable</a></i>
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td>2 episodes
</td></tr>
<tr>
<td>2020–2023
</td>
<td><i><a href="Star_Trek%3A_Picard" title="Star Trek: Picard">Star Trek: Picard</a></i>
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td style="background:#9EFF9E;color:black;vertical-align:middle;text-align:center;" class="table-yes">Yes
</td>
<td>8 episodes
</td></tr>
</tbody></table>
<div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2></div>
<div class="mw-heading mw-heading3"><h3 id="As_songwriter">As songwriter</h3></div>
<table class="wikitable">
<tbody><tr>
<th scope="col">Year
</th>
<th scope="col">Artist
</th>
<th scope="col">Album
</th>
<th scope="col">Song
</th>
<th scope="col">Co-writer(s)
</th></tr>
<tr>
<td rowspan="9">2017
</td>
<td rowspan="9"><a href="Mark_Ronson" title="Mark Ronson">Mark Ronson</a>
</td>
<td rowspan="9"><i><a href="Uptown_Special" title="Uptown Special">Uptown Special</a></i>
</td>
<td>"Uptown's First Finale"
</td>
<td>Mark Ronson and <a href="Jeff_Bhasker" title="Jeff Bhasker">Jeff Bhasker</a>
</td></tr>
<tr>
<td>"Summer Breaking"
</td>
<td>Ronson, Bhasker and <a href="Kevin_Parker_(musician)" title="Kevin Parker (musician)">Kevin Parker</a>
</td></tr>
<tr>
<td>"<a href="I_Can't_Lose" title="I Can't Lose">I Can't Lose</a>"
</td>
<td>Ronson and Bhasker
</td></tr>
<tr>
<td>"<a href="Daffodils_(Mark_Ronson_song)" class="mw-redirect" title="Daffodils (Mark Ronson song)">Daffodils</a>"
</td>
<td>Parker
</td></tr>
<tr>
<td>"Crack in the Pearl"
</td>
<td>Ronson and Bhasker
</td></tr>
<tr>
<td>"In Case of Fire"
</td>
<td>Ronson, Bhasker, <a href="Nick_Movshon" title="Nick Movshon">Nick Movshon</a>, Alex Greenwald and <a href="Rufus_Wainwright" title="Rufus Wainwright">Rufus Wainwright</a>
</td></tr>
<tr>
<td>"Leaving Los Feliz"
</td>
<td>Ronson, Bhasker, Parker, <a href="Emile_Haynie" title="Emile Haynie">Emile Haynie</a> and Chris Vatalaro
</td></tr>
<tr>
<td>"Heavy and Rolling"
</td>
<td>Ronson, Bhasker and <a href="Andrew_Wyatt" title="Andrew Wyatt">Andrew Wyatt</a>
</td></tr>
<tr>
<td>"Crack in the Pearl Pt. II"
</td>
<td>Ronson and Bhasker
</td></tr>
<tr>
<td>2018
</td>
<td><a href="The_Monkees" title="The Monkees">The Monkees</a>
</td>
<td><i><a href="Christmas_Party_(The_Monkees_album)" title="Christmas Party (The Monkees album)">Christmas Party</a></i>
</td>
<td>"House of Broken Gingerbread"
</td>
<td><a href="Adam_Schlesinger" title="Adam Schlesinger">Adam Schlesinger</a>
</td></tr>
<tr>
<td>2020
</td>
<td><a href="Moses_Sumney" title="Moses Sumney">Moses Sumney</a>
</td>
<td><i><a href="Gr%C3%A6" title="Græ">Græ</a></i>
</td>
<td>"Boxes"
</td>
<td><a href="Ezra_Miller" title="Ezra Miller">Ezra Miller</a>, Ayesha K. Faines, <a href="Taiye_Selasi" title="Taiye Selasi">Taiye Selasi</a> and Moses Sumney
</td></tr>
</tbody></table>
<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>
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<li id="cite_note-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-105">^</a></b></span> <span class="reference-text"><cite id="CITEREFKellogg2013" class="citation news cs1">Kellogg, Carolyn (February 20, 2013). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130223073937/http://www.latimes.com/features/books/jacketcopy/la-et-jc-la-times-book-prize-finalists-announced-20130220,0,3751789,full.story">"Announcing the 2012 L.A. Times Book Prize finalists"</a>. <i>The Los Angeles Times</i>. Archived from <a rel="nofollow" class="external text" href="https://www.latimes.com/features/books/jacketcopy/la-et-jc-la-times-book-prize-finalists-announced-20130220,0,3751789,full.story">the original</a> on February 23, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">March 1,</span> 2013</span>.</cite></span>
</li>
<li id="cite_note-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-106">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.commonwealthclub.org/events/special-events/california-book-awards">"California Book Awards"</a>. Commonwealth Club. June 11, 1931<span class="reference-accessdate">. Retrieved <span class="nowrap">May 5,</span> 2014</span>.</cite></span>
</li>
<li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.huffingtonpost.it/2013/06/25/intervista-michael-chabon_n_3495632.html">"Lo scrittore Michael Chabon: cinque anni per scrivere l'ultimo libro. Non mi piace l' Obama che usa droni"</a>. <i>L'Huffington Post</i>. June 25, 2013.</cite></span>
</li>
<li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140414224623/http://www.impacdublinaward.ie/nominees/">"Nominees | International IMPAC Dublin Literary Award"</a>. Impacdublinaward.ie. Archived from <a rel="nofollow" class="external text" href="http://www.impacdublinaward.ie/nominees/">the original</a> on April 14, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">May 5,</span> 2014</span>.</cite></span>
</li>
<li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170114123209/http://www.jewishbookcouncil.org/awards/2016-national-jewish-book-award-winners-and-finalists">"2016 National Jewish Book Awards Winners and Finalists"</a>. Jewishbookcouncil.org. Archived from <a rel="nofollow" class="external text" href="http://www.jewishbookcouncil.org/awards/2016-national-jewish-book-award-winners-and-finalists">the original</a> on January 14, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">May 19,</span> 2017</span>.</cite></span>
</li>
</ol></div></div>
<div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2></div>
<ul><li><cite id="CITEREFChabon1991" class="citation book cs1">Chabon, Michael (1991). <a rel="nofollow" class="external text" href="https://archive.org/details/modelworldothers00chab"><i>A Model World and Other Stories</i></a>. New York: Avon. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>0-380-71099-4</bdi>.</cite></li>
<li><cite id="CITEREFChabon1995" class="citation book cs1">Chabon, Michael (1995). <a rel="nofollow" class="external text" href="https://archive.org/details/wonderboys00chab"><i>Wonder Boys</i></a>. New York: Picador USA. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>0-312-14094-0</bdi>.</cite></li></ul>
<div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2></div>
<ul><li>Costello, Brannon (ed.). <i>Conversations with Michael Chabon</i>. University Press of Mississippi, 2015. [Collection of interviews with Chabon between 1995 and 2012]</li>
<li>Dewey, Joseph. <i>Understanding Michael Chabon</i>. University of South Carolina Press, 2014.</li>
<li>Gibbs, Alan. <i>Contemporary American Trauma Narratives</i>. Edinburgh University Press, 2014. [contains a chapter discussing trauma in relation to contemporary counterfactual history novels, discussing <i>The Yiddish Policemen's Union</i> alongside <a href="Philip_Roth" title="Philip Roth">Philip Roth's</a> <i>The Plot Against America</i> and <a href="Paul_Auster" title="Paul Auster">Paul Auster's</a> <i>Man in the Dark</i>]</li>
<li>Groß, Florian. "'To emerge from its transitional funk': <i>The Amazing Adventures of Kavalier & Clay'</i>s Intermedial Dialogue with Comics and Graphic Novels." <i>Scandinavian Journal of Comic Art</i>, vol. 1, no. 2 (Winter 2012), pp. 3–28.</li>
<li>Huber, Irmtraud. <i>Literature After Postmodernism: Reconstructive Fantasies</i>. Palgrave Macmillan, 2014. [contains a chapter on history as escape in relation to <i>The Amazing Adventures of Kavalier and Clay</i>]</li>
<li>Kavadlo, Jesse and Batchelor, Bob (eds.). <i>Michael Chabon's America: Magical Words, Secret Worlds, and Sacred Spaces</i>. Rowman & Littlefield, 2014. [collection of essays considering various aspects of Chabon's body of work up to <i>Telegraph Avenue</i>]</li>
<li>Levine, Daniel B."Josef Kavalier's <i>Odyssey</i>: Homeric Echoes in Michael Chabon's <i>The Amazing Adventures of Kavalier & Clay</i>". <i>International Journal of the Classical Tradition</i>, vol. 17, no. 4 (December 2010), pp. 526–555.</li>
<li>Scanlan, Margaret. "Strange Times to Be a Jew: Alternate History after 9/11" in Duvall, John and Markzec, Robert (eds.). <i>Narrating 9/11: Fantasies of State, Security, and Terrorism </i>. Johns Hopkins University Press, 2015. [contains discussion of <i>The Yiddish Policemen's Union</i>]</li></ul>
<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>
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<div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Michael_Chabon" class="extiw external" title="commons:Category:Michael Chabon">Michael Chabon</a></span>.</div></div>
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<div class="side-box-text plainlist">Wikiquote has quotations related to <i><b><a href="https://en.wikiquote.org/wiki/Special:Search/Michael_Chabon" class="extiw external" title="q:Special:Search/Michael Chabon">Michael Chabon</a></b></i>.</div></div>
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<ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.michaelchabon.com/">Official website</a></span></span> </li>
<li><a rel="nofollow" class="external text" href="http://www.sugarbombs.com/kavalier/">The Amazing Website of Kavalier & Clay</a>, an unofficial but thorough site recommended by Chabon</li>
<li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0149290/">Michael Chabon</a> at <a href="IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li>
<li><a rel="nofollow" class="external text" href="https://www.isfdb.org/cgi-bin/ea.cgi?10475">Michael Chabon</a> at the <a href="Internet_Speculative_Fiction_Database" title="Internet Speculative Fiction Database">Internet Speculative Fiction Database</a></li>
<li><a rel="nofollow" class="external text" href="https://www.newyorker.com/search?q=michael+chabon">Stories and essays by Chabon</a> at <i><a href="The_New_Yorker" title="The New Yorker">The New Yorker</a></i></li>
<li><a rel="nofollow" class="external text" href="https://lccn.loc.gov/n87915233">Michael Chabon</a> at <a href="Library_of_Congress" title="Library of Congress">Library of Congress</a>, with 23 library catalog records</li></ul>
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</style><div id="Michael_Chabon136" style="font-size:114%;margin:0 4em"></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div><a href="Michael_Chabon_bibliography" title="Michael Chabon bibliography">Bibliography</a></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Novels</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="The_Mysteries_of_Pittsburgh" title="The Mysteries of Pittsburgh">The Mysteries of Pittsburgh</a></i> (1988)</li>
<li><i><a href="Wonder_Boys" title="Wonder Boys">Wonder Boys</a></i> (1995)</li>
<li><i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i> (2000)</li>
<li><i><a href="The_Final_Solution_(novel)" title="The Final Solution (novel)">The Final Solution</a></i> (2004)</li>
<li><i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i> (2007)</li>
<li><i><a href="Gentlemen_of_the_Road" title="Gentlemen of the Road">Gentlemen of the Road</a></i> (2007)</li>
<li><i><a href="Telegraph_Avenue_(novel)" title="Telegraph Avenue (novel)">Telegraph Avenue</a></i> (2012)</li>
<li><i><a href="Moonglow_(novel)" title="Moonglow (novel)">Moonglow</a></i> (2016)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Short fiction collections</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="A_Model_World_and_Other_Stories" title="A Model World and Other Stories">A Model World and Other Stories</a></i> (1991)</li>
<li><i><a href="Werewolves_in_Their_Youth" title="Werewolves in Their Youth">Werewolves in Their Youth</a></i> (1999)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Young adult fiction</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Summerland_(novel)" title="Summerland (novel)">Summerland</a></i> (2002)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Essay collections</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Maps_and_Legends" title="Maps and Legends">Maps and Legends</a></i> (2008)</li>
<li><i><a href="Manhood_for_Amateurs" title="Manhood for Amateurs">Manhood for Amateurs</a></i> (2009)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Spider-Man_2" title="Spider-Man 2">Spider-Man 2</a></i></li>
<li><a href="John_Carter_(film)" title="John Carter (film)"><i>John Carter</i> (film)</a></li>
<li><a href="Unbelievable_(miniseries)" title="Unbelievable (miniseries)"><i>Unbelievable</i> (miniseries)</a></li>
<li><i><a href="Star_Trek%3A_Picard" title="Star Trek: Picard">Star Trek: Picard</a></i></li></ul>
</div></td></tr></tbody></table></div>
<div class="navbox-styles"></div><div role="navigation" class="navbox" aria-labelledby="Pulitzer_Prize_for_Fiction152" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="3"><div id="Pulitzer_Prize_for_Fiction152" style="font-size:114%;margin:0 4em"><a href="Pulitzer_Prize_for_Fiction" title="Pulitzer Prize for Fiction">Pulitzer Prize for Fiction</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="3"><div><i>Previously the Pulitzer Prize for the Novel from 1917–1947</i></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1918–1925</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="His_Family" title="His Family">His Family</a></i> by <a href="Ernest_Poole" title="Ernest Poole">Ernest Poole</a> (1918)</li>
<li><i><a href="The_Magnificent_Ambersons" title="The Magnificent Ambersons">The Magnificent Ambersons</a></i> by <a href="Booth_Tarkington" title="Booth Tarkington">Booth Tarkington</a> (1919)</li>
<li><i><a href="The_Age_of_Innocence" title="The Age of Innocence">The Age of Innocence</a></i> by <a href="Edith_Wharton" title="Edith Wharton">Edith Wharton</a> (1921)</li>
<li><i><a href="Alice_Adams_(novel)" title="Alice Adams (novel)">Alice Adams</a></i> by <a href="Booth_Tarkington" title="Booth Tarkington">Booth Tarkington</a> (1922)</li>
<li><i><a href="One_of_Ours" title="One of Ours">One of Ours</a></i> by <a href="Willa_Cather" title="Willa Cather">Willa Cather</a> (1923)</li>
<li><i><a href="The_Able_McLaughlins" title="The Able McLaughlins">The Able McLaughlins</a></i> by <a href="Margaret_Wilson_(novelist)" title="Margaret Wilson (novelist)">Margaret Wilson</a> (1924)</li>
<li><i><a href="So_Big_(novel)" title="So Big (novel)">So Big</a></i> by <a href="Edna_Ferber" title="Edna Ferber">Edna Ferber</a> (1925)</li></ul>
</div></td><td class="noviewer navbox-image" rowspan="5" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"></span><br><br> <span typeof="mw:File"></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1926–1950</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Arrowsmith_(novel)" title="Arrowsmith (novel)">Arrowsmith</a></i> by <a href="Sinclair_Lewis" title="Sinclair Lewis">Sinclair Lewis</a> (1926; declined)</li>
<li><i><a href="Early_Autumn" title="Early Autumn">Early Autumn</a></i> by <a href="Louis_Bromfield" title="Louis Bromfield">Louis Bromfield</a> (1927)</li>
<li><i><a href="The_Bridge_of_San_Luis_Rey" title="The Bridge of San Luis Rey">The Bridge of San Luis Rey</a></i> by <a href="Thornton_Wilder" title="Thornton Wilder">Thornton Wilder</a> (1928)</li>
<li><i><a href="Scarlet_Sister_Mary" title="Scarlet Sister Mary">Scarlet Sister Mary</a></i> by <a href="Julia_Peterkin" title="Julia Peterkin">Julia Peterkin</a> (1929)</li>
<li><i><a href="Laughing_Boy_(novel)" title="Laughing Boy (novel)">Laughing Boy</a></i> by <a href="Oliver_La_Farge" title="Oliver La Farge">Oliver La Farge</a> (1930)</li>
<li><i><a href="Years_of_Grace" title="Years of Grace">Years of Grace</a></i> by <a href="Margaret_Ayer_Barnes" title="Margaret Ayer Barnes">Margaret Ayer Barnes</a> (1931)</li>
<li><i><a href="The_Good_Earth" title="The Good Earth">The Good Earth</a></i> by <a href="Pearl_S._Buck" title="Pearl S. Buck">Pearl S. Buck</a> (1932)</li>
<li><i><a href="The_Store_(novel)" title="The Store (novel)">The Store</a></i> by <a href="Thomas_Sigismund_Stribling" class="mw-redirect" title="Thomas Sigismund Stribling">Thomas Sigismund Stribling</a> (1933)</li>
<li><i><a href="Lamb_in_His_Bosom" title="Lamb in His Bosom">Lamb in His Bosom</a></i> by <a href="Caroline_Pafford_Miller" title="Caroline Pafford Miller">Caroline Pafford Miller</a> (1934)</li>
<li><i><a href="Now_in_November" title="Now in November">Now in November</a></i> by <a href="Josephine_Johnson" title="Josephine Johnson">Josephine Winslow Johnson</a> (1935)</li>
<li><i><a href="Honey_in_the_Horn" title="Honey in the Horn">Honey in the Horn</a></i> by <a href="H._L._Davis" title="H. L. Davis">Harold L. Davis</a> (1936)</li>
<li><i><a href="Gone_with_the_Wind_(novel)" title="Gone with the Wind (novel)">Gone with the Wind</a></i> by <a href="Margaret_Mitchell" title="Margaret Mitchell">Margaret Mitchell</a> (1937)</li>
<li><i><a href="The_Late_George_Apley" title="The Late George Apley">The Late George Apley</a></i> by <a href="John_P._Marquand" title="John P. Marquand">John Phillips Marquand</a> (1938)</li>
<li><i><a href="The_Yearling" title="The Yearling">The Yearling</a></i> by <a href="Marjorie_Kinnan_Rawlings" title="Marjorie Kinnan Rawlings">Marjorie Kinnan Rawlings</a> (1939)</li>
<li><i><a href="The_Grapes_of_Wrath" title="The Grapes of Wrath">The Grapes of Wrath</a></i> by <a href="John_Steinbeck" title="John Steinbeck">John Steinbeck</a> (1940)</li>
<li><i><a href="In_This_Our_Life_(novel)" title="In This Our Life (novel)">In This Our Life</a></i> by <a href="Ellen_Glasgow" title="Ellen Glasgow">Ellen Glasgow</a> (1942)</li>
<li><i><a href="Dragon's_Teeth_(novel)" title="Dragon's Teeth (novel)">Dragon's Teeth</a></i> by <a href="Upton_Sinclair" title="Upton Sinclair">Upton Sinclair</a> (1943)</li>
<li><i><a href="Journey_in_the_Dark" title="Journey in the Dark">Journey in the Dark</a></i> by <a href="Martin_Flavin" title="Martin Flavin">Martin Flavin</a> (1944)</li>
<li><i><a href="A_Bell_for_Adano_(novel)" title="A Bell for Adano (novel)">A Bell for Adano</a></i> by <a href="John_Hersey" title="John Hersey">John Hersey</a> (1945)</li>
<li><i><a href="All_the_King's_Men" title="All the King's Men">All the King's Men</a></i> by <a href="Robert_Penn_Warren" title="Robert Penn Warren">Robert Penn Warren</a> (1947)</li>
<li><i><a href="Tales_of_the_South_Pacific" title="Tales of the South Pacific">Tales of the South Pacific</a></i> by <a href="James_A._Michener" title="James A. Michener">James A. Michener</a> (1948)</li>
<li><i><a href="Guard_of_Honor" title="Guard of Honor">Guard of Honor</a></i> by <a href="James_Gould_Cozzens" title="James Gould Cozzens">James Gould Cozzens</a> (1949)</li>
<li><i><a href="The_Way_West" title="The Way West">The Way West</a></i> by <a href="A._B._Guthrie_Jr." title="A. B. Guthrie Jr.">A. B. Guthrie Jr.</a> (1950)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="The_Town_(Richter_novel)" title="The Town (Richter novel)">The Town</a></i> by <a href="Conrad_Richter" title="Conrad Richter">Conrad Richter</a> (1951)</li>
<li><i><a href="The_Caine_Mutiny" title="The Caine Mutiny">The Caine Mutiny</a></i> by <a href="Herman_Wouk" title="Herman Wouk">Herman Wouk</a> (1952)</li>
<li><i><a href="The_Old_Man_and_the_Sea" title="The Old Man and the Sea">The Old Man and the Sea</a></i> by <a href="Ernest_Hemingway" title="Ernest Hemingway">Ernest Hemingway</a> (1953)</li>
<li><i><a href="A_Fable" title="A Fable">A Fable</a></i> by <a href="William_Faulkner" title="William Faulkner">William Faulkner</a> (1955)</li>
<li><i><a href="Andersonville_(novel)" title="Andersonville (novel)">Andersonville</a></i> by <a href="MacKinlay_Kantor" title="MacKinlay Kantor">MacKinlay Kantor</a> (1956)</li>
<li><i><a href="A_Death_in_the_Family" title="A Death in the Family">A Death in the Family</a></i> by <a href="James_Agee" title="James Agee">James Agee</a> (1958)</li>
<li><i><a href="The_Travels_of_Jaimie_McPheeters" title="The Travels of Jaimie McPheeters">The Travels of Jaimie McPheeters</a></i> by <a href="Robert_Lewis_Taylor" title="Robert Lewis Taylor">Robert Lewis Taylor</a> (1959)</li>
<li><i><a href="Advise_and_Consent" title="Advise and Consent">Advise and Consent</a></i> by <a href="Allen_Drury" title="Allen Drury">Allen Drury</a> (1960)</li>
<li><i><a href="To_Kill_a_Mockingbird" title="To Kill a Mockingbird">To Kill a Mockingbird</a></i> by <a href="Harper_Lee" title="Harper Lee">Harper Lee</a> (1961)</li>
<li><i><a href="The_Edge_of_Sadness" title="The Edge of Sadness">The Edge of Sadness</a></i> by <a href="Edwin_O'Connor" title="Edwin O'Connor">Edwin O'Connor</a> (1962)</li>
<li><i><a href="The_Reivers" title="The Reivers">The Reivers</a></i> by <a href="William_Faulkner" title="William Faulkner">William Faulkner</a> (1963)</li>
<li><i><a href="The_Keepers_of_the_House" title="The Keepers of the House">The Keepers of the House</a></i> by <a href="Shirley_Ann_Grau" title="Shirley Ann Grau">Shirley Ann Grau</a> (1965)</li>
<li><i><a href="The_Collected_Stories_of_Katherine_Anne_Porter" title="The Collected Stories of Katherine Anne Porter">The Collected Stories of Katherine Anne Porter</a></i> by <a href="Katherine_Anne_Porter" title="Katherine Anne Porter">Katherine Anne Porter</a> (1966)</li>
<li><i><a href="The_Fixer_(novel)" title="The Fixer (novel)">The Fixer</a></i> by <a href="Bernard_Malamud" title="Bernard Malamud">Bernard Malamud</a> (1967)</li>
<li><i><a href="The_Confessions_of_Nat_Turner" title="The Confessions of Nat Turner">The Confessions of Nat Turner</a></i> by <a href="William_Styron" title="William Styron">William Styron</a> (1968)</li>
<li><i><a href="House_Made_of_Dawn" title="House Made of Dawn">House Made of Dawn</a></i> by <a href="N._Scott_Momaday" title="N. Scott Momaday">N. Scott Momaday</a> (1969)</li>
<li><i><a href="The_Collected_Stories_of_Jean_Stafford" title="The Collected Stories of Jean Stafford">The Collected Stories of Jean Stafford</a></i> by <a href="Jean_Stafford" title="Jean Stafford">Jean Stafford</a> (1970)</li>
<li><i><a href="Angle_of_Repose" title="Angle of Repose">Angle of Repose</a></i> by <a href="Wallace_Stegner" title="Wallace Stegner">Wallace Stegner</a> (1972)</li>
<li><i><a href="The_Optimist's_Daughter" title="The Optimist's Daughter">The Optimist's Daughter</a></i> by <a href="Eudora_Welty" title="Eudora Welty">Eudora Welty</a> (1973)</li>
<li><a href="Gravity's_Rainbow" title="Gravity's Rainbow">No award given</a> (1974)</li>
<li><i><a href="The_Killer_Angels" title="The Killer Angels">The Killer Angels</a></i> by <a href="Michael_Shaara" title="Michael Shaara">Michael Shaara</a> (1975)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Humboldt's_Gift" title="Humboldt's Gift">Humboldt's Gift</a></i> by <a href="Saul_Bellow" title="Saul Bellow">Saul Bellow</a> (1976)</li>
<li><a href="A_River_Runs_Through_It_(novel)" class="mw-redirect" title="A River Runs Through It (novel)">No award given</a> (1977)</li>
<li><i><a href="Elbow_Room_(short_story_collection)" title="Elbow Room (short story collection)">Elbow Room</a></i> by <a href="James_Alan_McPherson" title="James Alan McPherson">James Alan McPherson</a> (1978)</li>
<li><i><a href="The_Stories_of_John_Cheever" title="The Stories of John Cheever">The Stories of John Cheever</a></i> by <a href="John_Cheever" title="John Cheever">John Cheever</a> (1979)</li>
<li><i><a href="The_Executioner's_Song" title="The Executioner's Song">The Executioner's Song</a></i> by <a href="Norman_Mailer" title="Norman Mailer">Norman Mailer</a> (1980)</li>
<li><i><a href="A_Confederacy_of_Dunces" title="A Confederacy of Dunces">A Confederacy of Dunces</a></i> by <a href="John_Kennedy_Toole" title="John Kennedy Toole">John Kennedy Toole</a> (1981)</li>
<li><i><a href="Rabbit_Is_Rich" title="Rabbit Is Rich">Rabbit Is Rich</a></i> by <a href="John_Updike" title="John Updike">John Updike</a> (1982)</li>
<li><i><a href="The_Color_Purple" title="The Color Purple">The Color Purple</a></i> by <a href="Alice_Walker" title="Alice Walker">Alice Walker</a> (1983)</li>
<li><i><a href="Ironweed_(novel)" title="Ironweed (novel)">Ironweed</a></i> by <a href="William_Kennedy_(author)" title="William Kennedy (author)">William Kennedy</a> (1984)</li>
<li><i><a href="Foreign_Affairs_(novel)" title="Foreign Affairs (novel)">Foreign Affairs</a></i> by <a href="Alison_Lurie" title="Alison Lurie">Alison Lurie</a> (1985)</li>
<li><i><a href="Lonesome_Dove" title="Lonesome Dove">Lonesome Dove</a></i> by <a href="Larry_McMurtry" title="Larry McMurtry">Larry McMurtry</a> (1986)</li>
<li><i><a href="A_Summons_to_Memphis" title="A Summons to Memphis">A Summons to Memphis</a></i> by <a href="Peter_Matthew_Hillsman_Taylor" class="mw-redirect" title="Peter Matthew Hillsman Taylor">Peter Taylor</a> (1987)</li>
<li><i><a href="Beloved_(novel)" title="Beloved (novel)">Beloved</a></i> by <a href="Toni_Morrison" title="Toni Morrison">Toni Morrison</a> (1988)</li>
<li><i><a href="Breathing_Lessons" title="Breathing Lessons">Breathing Lessons</a></i> by <a href="Anne_Tyler" title="Anne Tyler">Anne Tyler</a> (1989)</li>
<li><i><a href="The_Mambo_Kings_Play_Songs_of_Love" title="The Mambo Kings Play Songs of Love">The Mambo Kings Play Songs of Love</a></i> by <a href="Oscar_Hijuelos" title="Oscar Hijuelos">Oscar Hijuelos</a> (1990)</li>
<li><i><a href="Rabbit_at_Rest" title="Rabbit at Rest">Rabbit at Rest</a></i> by <a href="John_Updike" title="John Updike">John Updike</a> (1991)</li>
<li><i><a href="A_Thousand_Acres" title="A Thousand Acres">A Thousand Acres</a></i> by <a href="Jane_Smiley" title="Jane Smiley">Jane Smiley</a> (1992)</li>
<li><i><a href="A_Good_Scent_from_a_Strange_Mountain" title="A Good Scent from a Strange Mountain">A Good Scent from a Strange Mountain</a></i> by <a href="Robert_Olen_Butler" title="Robert Olen Butler">Robert Olen Butler</a> (1993)</li>
<li><i><a href="The_Shipping_News" title="The Shipping News">The Shipping News</a></i> by <a href="Annie_Proulx" title="Annie Proulx">E. Annie Proulx</a> (1994)</li>
<li><i><a href="The_Stone_Diaries" title="The Stone Diaries">The Stone Diaries</a></i> by <a href="Carol_Shields" title="Carol Shields">Carol Shields</a> (1995)</li>
<li><i><a href="Independence_Day_(Ford_novel)" title="Independence Day (Ford novel)">Independence Day</a></i> by <a href="Richard_Ford" title="Richard Ford">Richard Ford</a> (1996)</li>
<li><i><a href="Martin_Dressler%3A_The_Tale_of_an_American_Dreamer" class="mw-redirect" title="Martin Dressler: The Tale of an American Dreamer">Martin Dressler: The Tale of an American Dreamer</a></i> by <a href="Steven_Millhauser" title="Steven Millhauser">Steven Millhauser</a> (1997)</li>
<li><i><a href="American_Pastoral" title="American Pastoral">American Pastoral</a></i> by <a href="Philip_Roth" title="Philip Roth">Philip Roth</a> (1998)</li>
<li><i><a href="The_Hours_(novel)" title="The Hours (novel)">The Hours</a></i> by <a href="Michael_Cunningham" title="Michael Cunningham">Michael Cunningham</a> (1999)</li>
<li><i><a href="Interpreter_of_Maladies" title="Interpreter of Maladies">Interpreter of Maladies</a></i> by <a href="Jhumpa_Lahiri" title="Jhumpa Lahiri">Jhumpa Lahiri</a> (2000)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="The_Amazing_Adventures_of_Kavalier_%26_Clay" title="The Amazing Adventures of Kavalier & Clay">The Amazing Adventures of Kavalier & Clay</a></i> by (2001)</li>
<li><i><a href="Empire_Falls" title="Empire Falls">Empire Falls</a></i> by <a href="Richard_Russo" title="Richard Russo">Richard Russo</a> (2002)</li>
<li><i><a href="Middlesex_(novel)" title="Middlesex (novel)">Middlesex</a></i> by <a href="Jeffrey_Eugenides" title="Jeffrey Eugenides">Jeffrey Eugenides</a> (2003)</li>
<li><i><a href="The_Known_World" title="The Known World">The Known World</a></i> by <a href="Edward_P._Jones" title="Edward P. Jones">Edward P. Jones</a> (2004)</li>
<li><i><a href="Gilead_(novel)" title="Gilead (novel)">Gilead</a></i> by <a href="Marilynne_Robinson" title="Marilynne Robinson">Marilynne Robinson</a> (2005)</li>
<li><i><a href="March_(novel)" title="March (novel)">March</a></i> by <a href="Geraldine_Brooks_(writer)" title="Geraldine Brooks (writer)">Geraldine Brooks</a> (2006)</li>
<li><i><a href="The_Road" title="The Road">The Road</a></i> by <a href="Cormac_McCarthy" title="Cormac McCarthy">Cormac McCarthy</a> (2007)</li>
<li><i><a href="The_Brief_Wondrous_Life_of_Oscar_Wao" title="The Brief Wondrous Life of Oscar Wao">The Brief Wondrous Life of Oscar Wao</a></i> by <a href="Junot_D%C3%ADaz" title="Junot Díaz">Junot Díaz</a> (2008)</li>
<li><i><a href="Olive_Kitteridge" title="Olive Kitteridge">Olive Kitteridge</a></i> by <a href="Elizabeth_Strout" title="Elizabeth Strout">Elizabeth Strout</a> (2009)</li>
<li><i><a href="Tinkers_(novel)" title="Tinkers (novel)">Tinkers</a></i> by <a href="Paul_Harding_(author)" title="Paul Harding (author)">Paul Harding</a> (2010)</li>
<li><i><a href="A_Visit_from_the_Goon_Squad" title="A Visit from the Goon Squad">A Visit from the Goon Squad</a></i> by <a href="Jennifer_Egan" title="Jennifer Egan">Jennifer Egan</a> (2011)</li>
<li><a href="2012_Pulitzer_Prize" title="2012 Pulitzer Prize">No award given</a> (2012)</li>
<li><i><a href="The_Orphan_Master's_Son" title="The Orphan Master's Son">The Orphan Master's Son</a></i> by <a href="Adam_Johnson_(writer)" title="Adam Johnson (writer)">Adam Johnson</a> (2013)</li>
<li><i><a href="The_Goldfinch_(novel)" title="The Goldfinch (novel)">The Goldfinch</a></i> by <a href="Donna_Tartt" title="Donna Tartt">Donna Tartt</a> (2014)</li>
<li><i><a href="All_the_Light_We_Cannot_See" title="All the Light We Cannot See">All the Light We Cannot See</a></i> by <a href="Anthony_Doerr" title="Anthony Doerr">Anthony Doerr</a> (2015)</li>
<li><i><a href="The_Sympathizer" title="The Sympathizer">The Sympathizer</a></i> by <a href="Viet_Thanh_Nguyen" title="Viet Thanh Nguyen">Viet Thanh Nguyen</a> (2016)</li>
<li><i><a href="The_Underground_Railroad_(novel)" title="The Underground Railroad (novel)">The Underground Railroad</a></i> by <a href="Colson_Whitehead" title="Colson Whitehead">Colson Whitehead</a> (2017)</li>
<li><i><a href="Less_(novel)" title="Less (novel)">Less</a></i> by <a href="Andrew_Sean_Greer" title="Andrew Sean Greer">Andrew Sean Greer</a> (2018)</li>
<li><i><a href="The_Overstory" title="The Overstory">The Overstory</a></i> by <a href="Richard_Powers" title="Richard Powers">Richard Powers</a> (2019)</li>
<li><i><a href="The_Nickel_Boys" title="The Nickel Boys">The Nickel Boys</a></i> by <a href="Colson_Whitehead" title="Colson Whitehead">Colson Whitehead</a> (2020)</li>
<li><i><a href="The_Night_Watchman_(novel)" title="The Night Watchman (novel)">The Night Watchman</a></i> by <a href="Louise_Erdrich" title="Louise Erdrich">Louise Erdrich</a> (2021)</li>
<li><i><a href="The_Netanyahus" title="The Netanyahus">The Netanyahus</a></i> by <a href="Joshua_Cohen_(writer)" title="Joshua Cohen (writer)">Joshua Cohen</a> (2022)</li>
<li><i><a href="Demon_Copperhead" title="Demon Copperhead">Demon Copperhead</a></i> by <a href="Barbara_Kingsolver" title="Barbara Kingsolver">Barbara Kingsolver</a> / <i><a href="Trust_(novel)" title="Trust (novel)">Trust</a></i> by <a href="Hernan_Diaz_(writer)" class="mw-redirect" title="Hernan Diaz (writer)">Hernan Diaz</a> (2023)</li>
<li><i><a href="Night_Watch_(Phillips_novel)" title="Night Watch (Phillips novel)">Night Watch</a></i> by <a href="Jayne_Anne_Phillips" title="Jayne Anne Phillips">Jayne Anne Phillips</a> (2024)</li>
<li><i><a href="James_(novel)" title="James (novel)">James</a></i> by <a href="Percival_Everett" title="Percival Everett">Percival Everett</a> (2025)</li></ul>
</div></td></tr></tbody></table></div>
<div class="navbox-styles"></div><div role="navigation" class="navbox" aria-labelledby="Nebula_Award_for_Best_Novel110" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Nebula_Award_for_Best_Novel110" style="font-size:114%;margin:0 4em"><a href="Nebula_Award" title="Nebula Award">Nebula Award</a> for <a href="Nebula_Award_for_Best_Novel" title="Nebula Award for Best Novel">Best Novel</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1965–1979</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Dune_(novel)" title="Dune (novel)">Dune</a></i> by <a href="Frank_Herbert" title="Frank Herbert">Frank Herbert</a> (1965)</li>
<li><i><a href="Babel-17" title="Babel-17">Babel-17</a></i> by <a href="Samuel_R._Delany" title="Samuel R. Delany">Samuel R. Delany</a> / <i><a href="Flowers_for_Algernon" title="Flowers for Algernon">Flowers for Algernon</a></i> by <a href="Daniel_Keyes" title="Daniel Keyes">Daniel Keyes</a> (1966)</li>
<li><i><a href="The_Einstein_Intersection" title="The Einstein Intersection">The Einstein Intersection</a></i> by <a href="Samuel_R._Delany" title="Samuel R. Delany">Samuel R. Delany</a> (1967)</li>
<li><i><a href="Rite_of_Passage_(novel)" title="Rite of Passage (novel)">Rite of Passage</a></i> by <a href="Alexei_Panshin" title="Alexei Panshin">Alexei Panshin</a> (1968)</li>
<li><i><a href="The_Left_Hand_of_Darkness" title="The Left Hand of Darkness">The Left Hand of Darkness</a></i> by <a href="Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a> (1969)</li>
<li><i><a href="Ringworld" title="Ringworld">Ringworld</a></i> by <a href="Larry_Niven" title="Larry Niven">Larry Niven</a> (1970)</li>
<li><i><a href="A_Time_of_Changes" title="A Time of Changes">A Time of Changes</a></i> by <a href="Robert_Silverberg" title="Robert Silverberg">Robert Silverberg</a> (1971)</li>
<li><i><a href="The_Gods_Themselves" title="The Gods Themselves">The Gods Themselves</a></i> by <a href="Isaac_Asimov" title="Isaac Asimov">Isaac Asimov</a> (1972)</li>
<li><i><a href="Rendezvous_with_Rama" title="Rendezvous with Rama">Rendezvous with Rama</a></i> by <a href="Arthur_C._Clarke" title="Arthur C. Clarke">Arthur C. Clarke</a> (1973)</li>
<li><i><a href="The_Dispossessed" title="The Dispossessed">The Dispossessed</a></i> by <a href="Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a> (1974)</li>
<li><i><a href="The_Forever_War" title="The Forever War">The Forever War</a></i> by <a href="Joe_Haldeman" title="Joe Haldeman">Joe Haldeman</a> (1975)</li>
<li><i><a href="Man_Plus" title="Man Plus">Man Plus</a></i> by <a href="Frederik_Pohl" title="Frederik Pohl">Frederik Pohl</a> (1976)</li>
<li><i><a href="Gateway_(novel)" title="Gateway (novel)">Gateway</a></i> by <a href="Frederik_Pohl" title="Frederik Pohl">Frederik Pohl</a> (1977)</li>
<li><i><a href="Dreamsnake" title="Dreamsnake">Dreamsnake</a></i> by <a href="Vonda_N._McIntyre" title="Vonda N. McIntyre">Vonda N. McIntyre</a> (1978)</li>
<li><i><a href="The_Fountains_of_Paradise" title="The Fountains of Paradise">The Fountains of Paradise</a></i> by <a href="Arthur_C._Clarke" title="Arthur C. Clarke">Arthur C. Clarke</a> (1979)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1980–1999</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Timescape" title="Timescape">Timescape</a></i> by <a href="Gregory_Benford" title="Gregory Benford">Gregory Benford</a> (1980)</li>
<li><i><a href="The_Claw_of_the_Conciliator" title="The Claw of the Conciliator">The Claw of the Conciliator</a></i> by <a href="Gene_Wolfe" title="Gene Wolfe">Gene Wolfe</a> (1981)</li>
<li><i><a href="No_Enemy_But_Time" title="No Enemy But Time">No Enemy But Time</a></i> by <a href="Michael_Bishop_(author)" title="Michael Bishop (author)">Michael Bishop</a> (1982)</li>
<li><i><a href="Startide_Rising" title="Startide Rising">Startide Rising</a></i> by <a href="David_Brin" title="David Brin">David Brin</a> (1983)</li>
<li><i><a href="Neuromancer" title="Neuromancer">Neuromancer</a></i> by <a href="William_Gibson" title="William Gibson">William Gibson</a> (1984)</li>
<li><i><a href="Ender's_Game" title="Ender's Game">Ender's Game</a></i> by <a href="Orson_Scott_Card" title="Orson Scott Card">Orson Scott Card</a> (1985)</li>
<li><i><a href="Speaker_for_the_Dead" title="Speaker for the Dead">Speaker for the Dead</a></i> by <a href="Orson_Scott_Card" title="Orson Scott Card">Orson Scott Card</a> (1986)</li>
<li><i><a href="The_Falling_Woman" title="The Falling Woman">The Falling Woman</a></i> by <a href="Pat_Murphy_(writer)" title="Pat Murphy (writer)">Pat Murphy</a> (1987)</li>
<li><i><a href="Falling_Free" title="Falling Free">Falling Free</a></i> by <a href="Lois_McMaster_Bujold" title="Lois McMaster Bujold">Lois McMaster Bujold</a> (1988)</li>
<li><i><a href="The_Healer's_War" title="The Healer's War">The Healer's War</a></i> by <a href="Elizabeth_Ann_Scarborough" title="Elizabeth Ann Scarborough">Elizabeth Ann Scarborough</a> (1989)</li>
<li><i><a href="Tehanu" title="Tehanu">Tehanu: The Last Book of Earthsea</a></i> by <a href="Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a> (1990)</li>
<li><i><a href="Stations_of_the_Tide" title="Stations of the Tide">Stations of the Tide</a></i> by <a href="Michael_Swanwick" title="Michael Swanwick">Michael Swanwick</a> (1991)</li>
<li><i><a href="Doomsday_Book_(novel)" title="Doomsday Book (novel)">Doomsday Book</a></i> by <a href="Connie_Willis" title="Connie Willis">Connie Willis</a> (1992)</li>
<li><i><a href="Mars_trilogy" title="Mars trilogy">Red Mars</a></i> by <a href="Kim_Stanley_Robinson" title="Kim Stanley Robinson">Kim Stanley Robinson</a> (1993)</li>
<li><i><a href="Moving_Mars" title="Moving Mars">Moving Mars</a></i> by <a href="Greg_Bear" title="Greg Bear">Greg Bear</a> (1994)</li>
<li><i><a href="The_Terminal_Experiment" title="The Terminal Experiment">The Terminal Experiment</a></i> by <a href="Robert_J._Sawyer" title="Robert J. Sawyer">Robert J. Sawyer</a> (1995)</li>
<li><i><a href="Slow_River" title="Slow River">Slow River</a></i> by <a href="Nicola_Griffith" title="Nicola Griffith">Nicola Griffith</a> (1996)</li>
<li><i><a href="The_Moon_and_the_Sun" title="The Moon and the Sun">The Moon and the Sun</a></i> by <a href="Vonda_N._McIntyre" title="Vonda N. McIntyre">Vonda N. McIntyre</a> (1997)</li>
<li><i><a href="Forever_Peace" title="Forever Peace">Forever Peace</a></i> by <a href="Joe_Haldeman" title="Joe Haldeman">Joe Haldeman</a> (1998)</li>
<li><i><a href="Parable_of_the_Talents_(novel)" title="Parable of the Talents (novel)">Parable of the Talents</a></i> by <a href="Octavia_E._Butler" title="Octavia E. Butler">Octavia E. Butler</a> (1999)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2000–2019</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Darwin's_Radio" title="Darwin's Radio">Darwin's Radio</a></i> by <a href="Greg_Bear" title="Greg Bear">Greg Bear</a> (2000)</li>
<li><i><a href="The_Quantum_Rose" title="The Quantum Rose">The Quantum Rose</a></i> by <a href="Catherine_Asaro" title="Catherine Asaro">Catherine Asaro</a> (2001)</li>
<li><i><a href="American_Gods" title="American Gods">American Gods</a></i> by <a href="Neil_Gaiman" title="Neil Gaiman">Neil Gaiman</a> (2002)</li>
<li><i><a href="Speed_of_Dark" title="Speed of Dark">Speed of Dark</a></i> by <a href="Elizabeth_Moon" title="Elizabeth Moon">Elizabeth Moon</a> (2003)</li>
<li><i><a href="Paladin_of_Souls" title="Paladin of Souls">Paladin of Souls</a></i> by <a href="Lois_McMaster_Bujold" title="Lois McMaster Bujold">Lois McMaster Bujold</a> (2004)</li>
<li><i><a href="Camouflage_(novel)" title="Camouflage (novel)">Camouflage</a></i> by <a href="Joe_Haldeman" title="Joe Haldeman">Joe Haldeman</a> (2005)</li>
<li><i><a href="Seeker_(McDevitt_novel)" title="Seeker (McDevitt novel)">Seeker</a></i> by <a href="Jack_McDevitt" title="Jack McDevitt">Jack McDevitt</a> (2006)</li>
<li><i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i> by (2007)</li>
<li><i><a href="Powers_(novel)" title="Powers (novel)">Powers</a></i> by <a href="Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a> (2008)</li>
<li><i><a href="The_Windup_Girl" title="The Windup Girl">The Windup Girl</a></i> by <a href="Paolo_Bacigalupi" title="Paolo Bacigalupi">Paolo Bacigalupi</a> (2009)</li>
<li><i><a href="Blackout/All_Clear" title="Blackout/All Clear">Blackout/All Clear</a></i> by <a href="Connie_Willis" title="Connie Willis">Connie Willis</a> (2010)</li>
<li><i><a href="Among_Others" title="Among Others">Among Others</a></i> by <a href="Jo_Walton" title="Jo Walton">Jo Walton</a> (2011)</li>
<li><i><a href="2312_(novel)" title="2312 (novel)">2312</a></i> by <a href="Kim_Stanley_Robinson" title="Kim Stanley Robinson">Kim Stanley Robinson</a> (2012)</li>
<li><i><a href="Ancillary_Justice" title="Ancillary Justice">Ancillary Justice</a></i> by <a href="Ann_Leckie" title="Ann Leckie">Ann Leckie</a> (2013)</li>
<li><i><a href="Annihilation_(VanderMeer_novel)" title="Annihilation (VanderMeer novel)">Annihilation</a></i> by <a href="Jeff_VanderMeer" title="Jeff VanderMeer">Jeff VanderMeer</a> (2014)</li>
<li><i><a href="Uprooted_(novel)" title="Uprooted (novel)">Uprooted</a></i> by <a href="Naomi_Novik" title="Naomi Novik">Naomi Novik</a> (2015)</li>
<li><i><a href="All_the_Birds_in_the_Sky" title="All the Birds in the Sky">All the Birds in the Sky</a></i> by <a href="Charlie_Jane_Anders" title="Charlie Jane Anders">Charlie Jane Anders</a> (2016)</li>
<li><i><a href="The_Stone_Sky" title="The Stone Sky">The Stone Sky</a></i> by <a href="N._K._Jemisin" title="N. K. Jemisin">N. K. Jemisin</a> (2017)</li>
<li><i><a href="The_Calculating_Stars" title="The Calculating Stars">The Calculating Stars</a></i> by <a href="Mary_Robinette_Kowal" title="Mary Robinette Kowal">Mary Robinette Kowal</a> (2018)</li>
<li><i><a href="A_Song_for_a_New_Day" title="A Song for a New Day">A Song for a New Day</a></i> by <a href="Sarah_Pinsker" title="Sarah Pinsker">Sarah Pinsker</a> (2019)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2020–present</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Network_Effect_(novel)" title="Network Effect (novel)">Network Effect</a></i> by <a href="Martha_Wells" title="Martha Wells">Martha Wells</a> (2020)</li>
<li><i><a href="A_Master_of_Djinn" title="A Master of Djinn">A Master of Djinn</a></i> by <a href="P._Dj%C3%A8l%C3%AD_Clark" title="P. Djèlí Clark">P. Djèlí Clark</a> (2021)</li>
<li><i><a href="Babel%2C_or_the_Necessity_of_Violence" title="Babel, or the Necessity of Violence">Babel, or the Necessity of Violence</a></i> by <a href="R._F._Kuang" title="R. F. Kuang">R. F. Kuang</a> (2022)</li>
<li><i><a href="The_Saint_of_Bright_Doors" title="The Saint of Bright Doors">The Saint of Bright Doors</a></i> by <a href="Vajra_Chandrasekera" title="Vajra Chandrasekera">Vajra Chandrasekera</a> (2023)</li>
<li><i><a href="Someone_You_Can_Build_a_Nest_In" title="Someone You Can Build a Nest In">Someone You Can Build a Nest In</a></i> by <a href="John_Wiswell" title="John Wiswell">John Wiswell</a> (2024)</li></ul>
</div></td></tr></tbody></table></div>
<div class="navbox-styles"></div><div role="navigation" class="navbox" aria-labelledby="Locus_Award_for_Best_Science_Fiction_Novel789" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Locus_Award_for_Best_Science_Fiction_Novel789" style="font-size:114%;margin:0 4em"><a href="Locus_Award" title="Locus Award">Locus Award</a> for <a href="Locus_Award_for_Best_Science_Fiction_Novel" title="Locus Award for Best Science Fiction Novel">Best Science Fiction Novel</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1980s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Titan_(Varley_novel)" title="Titan (Varley novel)">Titan</a></i> by <a href="John_Varley_(author)" title="John Varley (author)">John Varley</a> (1980)</li>
<li><i><a href="The_Snow_Queen_(Vinge_novel)" title="The Snow Queen (Vinge novel)">The Snow Queen</a></i> by <a href="Joan_D._Vinge" title="Joan D. Vinge">Joan D. Vinge</a> (1981)</li>
<li><i><a href="The_Many-Colored_Land" title="The Many-Colored Land">The Many-Colored Land</a></i> by <a href="Julian_May" title="Julian May">Julian May</a> (1982)</li>
<li><i><a href="Foundation's_Edge" title="Foundation's Edge">Foundation's Edge</a></i> by <a href="Isaac_Asimov" title="Isaac Asimov">Isaac Asimov</a> (1983)</li>
<li><i><a href="Startide_Rising" title="Startide Rising">Startide Rising</a></i> by <a href="David_Brin" title="David Brin">David Brin</a> (1984)</li>
<li><i><a href="The_Integral_Trees" title="The Integral Trees">The Integral Trees</a></i> by <a href="Larry_Niven" title="Larry Niven">Larry Niven</a> (1985)</li>
<li><i><a href="The_Postman" title="The Postman">The Postman</a></i> by <a href="David_Brin" title="David Brin">David Brin</a> (1986)</li>
<li><i><a href="Speaker_for_the_Dead" title="Speaker for the Dead">Speaker for the Dead</a></i> by <a href="Orson_Scott_Card" title="Orson Scott Card">Orson Scott Card</a> (1987)</li>
<li><i><a href="The_Uplift_War" title="The Uplift War">The Uplift War </a></i> by <a href="David_Brin" title="David Brin">David Brin</a> (1988)</li>
<li><i><a href="Cyteen" title="Cyteen">Cyteen</a></i> by <a href="C._J._Cherryh" title="C. J. Cherryh">C. J. Cherryh</a> (1989)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1990s</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Hyperion_(Simmons_novel)" title="Hyperion (Simmons novel)">Hyperion</a></i> by <a href="Dan_Simmons" title="Dan Simmons">Dan Simmons</a> (1990)</li>
<li><i><a href="The_Fall_of_Hyperion_(novel)" title="The Fall of Hyperion (novel)">The Fall of Hyperion</a></i> by <a href="Dan_Simmons" title="Dan Simmons">Dan Simmons</a> (1991)</li>
<li><i><a href="Barrayar" title="Barrayar">Barrayar</a></i> by <a href="Lois_McMaster_Bujold" title="Lois McMaster Bujold">Lois McMaster Bujold</a> (1992)</li>
<li><i><a href="Doomsday_Book_(novel)" title="Doomsday Book (novel)">Doomsday Book</a></i> by <a href="Connie_Willis" title="Connie Willis">Connie Willis</a> (1993)</li>
<li><i><a href="Mars_trilogy" title="Mars trilogy">Green Mars</a></i> by <a href="Kim_Stanley_Robinson" title="Kim Stanley Robinson">Kim Stanley Robinson</a> (1994)</li>
<li><i><a href="Mirror_Dance" title="Mirror Dance">Mirror Dance</a></i> by <a href="Lois_McMaster_Bujold" title="Lois McMaster Bujold">Lois McMaster Bujold</a> (1995)</li>
<li><i><a href="The_Diamond_Age" title="The Diamond Age">The Diamond Age</a></i> by <a href="Neal_Stephenson" title="Neal Stephenson">Neal Stephenson</a> (1996)</li>
<li><i><a href="Mars_trilogy" title="Mars trilogy">Blue Mars</a></i> by <a href="Kim_Stanley_Robinson" title="Kim Stanley Robinson">Kim Stanley Robinson</a> (1997)</li>
<li><i><a href="The_Rise_of_Endymion" title="The Rise of Endymion">The Rise of Endymion</a></i> by <a href="Dan_Simmons" title="Dan Simmons">Dan Simmons</a> (1998)</li>
<li><i><a href="To_Say_Nothing_of_the_Dog" title="To Say Nothing of the Dog">To Say Nothing of the Dog</a></i> by <a href="Connie_Willis" title="Connie Willis">Connie Willis</a> (1999)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2000s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Cryptonomicon" title="Cryptonomicon">Cryptonomicon</a></i> by <a href="Neal_Stephenson" title="Neal Stephenson">Neal Stephenson</a> (2000)</li>
<li><i><a href="The_Telling" title="The Telling">The Telling</a></i> by <a href="Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a> (2001)</li>
<li><i><a href="Passage_(Willis_novel)" title="Passage (Willis novel)">Passage</a></i> by <a href="Connie_Willis" title="Connie Willis">Connie Willis</a> (2002)</li>
<li><i><a href="The_Years_of_Rice_and_Salt" title="The Years of Rice and Salt">The Years of Rice and Salt</a></i> by <a href="Kim_Stanley_Robinson" title="Kim Stanley Robinson">Kim Stanley Robinson</a> (2003)</li>
<li><i><a href="Ilium_(novel)" title="Ilium (novel)">Ilium</a></i> by <a href="Dan_Simmons" title="Dan Simmons">Dan Simmons</a> (2004)</li>
<li><i><a href="The_Baroque_Cycle" title="The Baroque Cycle">The Baroque Cycle</a></i> by <a href="Neal_Stephenson" title="Neal Stephenson">Neal Stephenson</a> (2005)</li>
<li><i><a href="Accelerando" title="Accelerando">Accelerando</a></i> by <a href="Charles_Stross" title="Charles Stross">Charles Stross</a> (2006)</li>
<li><i><a href="Rainbows_End_(Vinge_novel)" title="Rainbows End (Vinge novel)">Rainbows End</a></i> by <a href="Vernor_Vinge" title="Vernor Vinge">Vernor Vinge</a> (2007)</li>
<li><i><a href="The_Yiddish_Policemen's_Union" title="The Yiddish Policemen's Union">The Yiddish Policemen's Union</a></i> by (2008)</li>
<li><i><a href="Anathem" title="Anathem">Anathem</a></i> by <a href="Neal_Stephenson" title="Neal Stephenson">Neal Stephenson</a> (2009)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2010s</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Boneshaker_(novel)" title="Boneshaker (novel)">Boneshaker</a></i> by <a href="Cherie_Priest" title="Cherie Priest">Cherie Priest</a> (2010)</li>
<li><i><a href="Blackout/All_Clear" title="Blackout/All Clear">Blackout/All Clear</a></i> by <a href="Connie_Willis" title="Connie Willis">Connie Willis</a> (2011)</li>
<li><i><a href="Embassytown" title="Embassytown">Embassytown</a></i> by <a href="China_Mi%C3%A9ville" title="China Miéville">China Miéville</a> (2012)</li>
<li><i><a href="Redshirts_(novel)" title="Redshirts (novel)">Redshirts</a></i> by <a href="John_Scalzi" title="John Scalzi">John Scalzi</a> (2013)</li>
<li><i><a href="Abaddon's_Gate" title="Abaddon's Gate">Abaddon's Gate</a></i> by <a href="James_S._A._Corey" title="James S. A. Corey">James S. A. Corey</a> (2014)</li>
<li><i><a href="Ancillary_Sword" title="Ancillary Sword">Ancillary Sword</a></i> by <a href="Ann_Leckie" title="Ann Leckie">Ann Leckie</a> (2015)</li>
<li><i><a href="Ancillary_Mercy" title="Ancillary Mercy">Ancillary Mercy</a></i> by <a href="Ann_Leckie" title="Ann Leckie">Ann Leckie</a> (2016)</li>
<li><i><a href="Death's_End" title="Death's End">Death's End</a></i> by <a href="Liu_Cixin" title="Liu Cixin">Liu Cixin</a> (2017)</li>
<li><i><a href="The_Collapsing_Empire" title="The Collapsing Empire">The Collapsing Empire</a></i> by <a href="John_Scalzi" title="John Scalzi">John Scalzi</a> (2018)</li>
<li><i><a href="The_Calculating_Stars" title="The Calculating Stars">The Calculating Stars</a></i> by <a href="Mary_Robinette_Kowal" title="Mary Robinette Kowal">Mary Robinette Kowal</a> (2019)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2020s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="The_City_in_the_Middle_of_the_Night" title="The City in the Middle of the Night">The City in the Middle of the Night</a></i> by <a href="Charlie_Jane_Anders" title="Charlie Jane Anders">Charlie Jane Anders </a> (2020)</li>
<li><i><a href="Network_Effect_(novel)" title="Network Effect (novel)">Network Effect</a></i> by <a href="Martha_Wells" title="Martha Wells">Martha Wells</a> (2021)</li>
<li><i><a href="A_Desolation_Called_Peace" title="A Desolation Called Peace">A Desolation Called Peace</a></i> by <a href="Arkady_Martine" title="Arkady Martine">Arkady Martine</a> (2022)</li>
<li><i><a href="The_Kaiju_Preservation_Society" title="The Kaiju Preservation Society">The Kaiju Preservation Society</a></i> by <a href="John_Scalzi" title="John Scalzi">John Scalzi</a> (2023)</li>
<li><i><a href="The_Murderbot_Diaries" title="The Murderbot Diaries">System Collapse</a></i> by <a href="Martha_Wells" title="Martha Wells">Martha Wells</a> (2024)</li></ul>
</div></td></tr><tr><td class="navbox-abovebelow hlist" colspan="2"><div>
<ul><li><a href="Locus_Award_for_Best_Novel" title="Locus Award for Best Novel">Best Novel</a> (1971–1981)</li>
<li><a href="Locus_Award_for_Best_Science_Fiction_Novel" title="Locus Award for Best Science Fiction Novel">Best SF Novel</a> (1980–present)</li>
<li><a href="Locus_Award_for_Best_Fantasy_Novel" title="Locus Award for Best Fantasy Novel">Best Fantasy Novel</a> (1978–present)</li>
<li><a href="Locus_Award_for_Best_First_Novel" title="Locus Award for Best First Novel">Best First Novel</a> (1981–present)</li>
<li><a href="Locus_Award_for_Best_Horror_Novel" title="Locus Award for Best Horror Novel">Best Horror Novel</a> (1989–1997, 1999, 2017–present)</li>
<li><a href="Locus_Award_for_Best_Young_Adult_Book" title="Locus Award for Best Young Adult Book">Best Young Adult Book</a> (2003–present)</li>
<li><a href="Locus_Award_for_Best_Novella" title="Locus Award for Best Novella">Best Novella</a> (1973–present)</li>
<li><a href="Locus_Award_for_Best_Novelette" title="Locus Award for Best Novelette">Best Novelette</a> (1975–present)</li>
<li><a href="Locus_Award_for_Best_Short_Story" title="Locus Award for Best Short Story">Best Short Story</a> (1971–present)</li></ul>
</div></td></tr></tbody></table></div>
<div class="navbox-styles"></div><div role="navigation" class="navbox" aria-labelledby="USC_Scripter_Awards_–_Film82" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #EEDD82"><div id="USC_Scripter_Awards_–_Film82" style="font-size:114%;margin:0 4em"><a href="USC_Scripter_Awards#Film" title="USC Scripter Awards">USC Scripter Awards – Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1980s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Hugh_Whitemore" title="Hugh Whitemore">Hugh Whitemore</a> and <a href="Helene_Hanff" title="Helene Hanff">Helene Hanff</a> (1988)</li>
<li><a href="Frank_Galati" title="Frank Galati">Frank Galati</a>, <a href="Lawrence_Kasdan" title="Lawrence Kasdan">Lawrence Kasdan</a>, and <a href="Anne_Tyler" title="Anne Tyler">Anne Tyler</a> (1989)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1990s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Steven_Zaillian" title="Steven Zaillian">Steven Zaillian</a> and <a href="Oliver_Sacks" title="Oliver Sacks">Oliver Sacks</a> (1990)</li>
<li><a href="Carol_Sobieski" title="Carol Sobieski">Carol Sobieski</a> and <a href="Fannie_Flagg" title="Fannie Flagg">Fannie Flagg</a> (1991)</li>
<li><a href="Richard_Friedenberg" title="Richard Friedenberg">Richard Friedenberg</a> and <a href="Norman_Maclean" title="Norman Maclean">Norman Maclean</a> (1992)</li>
<li><a href="Steven_Zaillian" title="Steven Zaillian">Steven Zaillian</a> and <a href="Thomas_Keneally" title="Thomas Keneally">Thomas Keneally</a> (1993)</li>
<li><a href="Frank_Darabont" title="Frank Darabont">Frank Darabont</a> and <a href="Stephen_King" title="Stephen King">Stephen King</a> (1994)</li>
<li><a href="Emma_Thompson" title="Emma Thompson">Emma Thompson</a> and <a href="Jane_Austen" title="Jane Austen">Jane Austen</a> (1995)</li>
<li><a href="Anthony_Minghella" title="Anthony Minghella">Anthony Minghella</a> and <a href="Michael_Ondaatje" title="Michael Ondaatje">Michael Ondaatje</a> (1996)</li>
<li><a href="Curtis_Hanson" title="Curtis Hanson">Curtis Hanson</a>, <a href="Brian_Helgeland" title="Brian Helgeland">Brian Helgeland</a>, and <a href="James_Ellroy" title="James Ellroy">James Ellroy</a> (1997)</li>
<li><a href="Steven_Zaillian" title="Steven Zaillian">Steven Zaillian</a> and <a href="Jonathan_Harr" title="Jonathan Harr">Jonathan Harr</a> (1998)</li>
<li><a href="Armyan_Bernstein" title="Armyan Bernstein">Armyan Bernstein</a>, <a href="Dan_Gordon_(screenwriter)" title="Dan Gordon (screenwriter)">Dan Gordon</a>, <a href="Rubin_Carter" title="Rubin Carter">Rubin Carter</a>, Sam Chaiton, and Terry Swinton (1999)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">2000s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Steve_Kloves" title="Steve Kloves">Steve Kloves</a> and (2000)</li>
<li><a href="Akiva_Goldsman" title="Akiva Goldsman">Akiva Goldsman</a> and <a href="Sylvia_Nasar" title="Sylvia Nasar">Sylvia Nasar</a> (2001)</li>
<li><a href="David_Hare_(playwright)" title="David Hare (playwright)">David Hare</a> and <a href="Michael_Cunningham" title="Michael Cunningham">Michael Cunningham</a> (2002)</li>
<li><a href="Brian_Helgeland" title="Brian Helgeland">Brian Helgeland</a> and <a href="Dennis_Lehane" title="Dennis Lehane">Dennis Lehane</a> / <a href="Gary_Ross" title="Gary Ross">Gary Ross</a> and <a href="Laura_Hillenbrand" title="Laura Hillenbrand">Laura Hillenbrand</a> (2003)</li>
<li><a href="Paul_Haggis" title="Paul Haggis">Paul Haggis</a> and <a href="F.X._Toole" title="F.X. Toole">F.X. Toole</a> (2004)</li>
<li><a href="Dan_Futterman" title="Dan Futterman">Dan Futterman</a> and <a href="Gerald_Clarke_(author)" title="Gerald Clarke (author)">Gerald Clarke</a> (2005)</li>
<li><a href="David_Arata" title="David Arata">David Arata</a>, <a href="Alfonso_Cuar%C3%B3n" title="Alfonso Cuarón">Alfonso Cuarón</a>, <a href="Mark_Fergus_and_Hawk_Ostby" title="Mark Fergus and Hawk Ostby">Mark Fergus, Hawk Ostby</a>, Timothy J. Sexton, and <a href="P._D._James" title="P. D. James">P. D. James</a> (2006)</li>
<li><a href="Coen_brothers" title="Coen brothers">Joel Coen, Ethan Coen</a>, and <a href="Cormac_McCarthy" title="Cormac McCarthy">Cormac McCarthy</a> (2007)</li>
<li><a href="Simon_Beaufoy" title="Simon Beaufoy">Simon Beaufoy</a> and <a href="Vikas_Swarup" title="Vikas Swarup">Vikas Swarup</a> (2008)</li>
<li><a href="Jason_Reitman" title="Jason Reitman">Jason Reitman</a>, <a href="Sheldon_Turner" title="Sheldon Turner">Sheldon Turner</a>, and <a href="Walter_Kirn" title="Walter Kirn">Walter Kirn</a> (2009)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">2010s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Aaron_Sorkin" title="Aaron Sorkin">Aaron Sorkin</a> and <a href="Ben_Mezrich" title="Ben Mezrich">Ben Mezrich</a> (2010)</li>
<li><a href="Alexander_Payne" title="Alexander Payne">Alexander Payne</a>, <a href="Jim_Rash" title="Jim Rash">Jim Rash</a>, <a href="Nat_Faxon" title="Nat Faxon">Nat Faxon</a>, and <a href="Kaui_Hart_Hemmings" title="Kaui Hart Hemmings">Kaui Hart Hemmings</a> (2011)</li>
<li><a href="Chris_Terrio" title="Chris Terrio">Chris Terrio</a>, <a href="Tony_Mendez" title="Tony Mendez">Antonio J. Mendez</a>, and <a href="Joshuah_Bearman" title="Joshuah Bearman">Joshuah Bearman</a> (2012)</li>
<li><a href="John_Ridley" title="John Ridley">John Ridley</a> and <a href="Solomon_Northup" title="Solomon Northup">Solomon Northup</a> (2013)</li>
<li><a href="Graham_Moore_(writer)" title="Graham Moore (writer)">Graham Moore</a> and <a href="Andrew_Hodges" title="Andrew Hodges">Andrew Hodges</a> (2014)</li>
<li><a href="Adam_McKay" title="Adam McKay">Adam McKay</a>, <a href="Charles_Randolph" title="Charles Randolph">Charles Randolph</a>, and <a href="Michael_Lewis" title="Michael Lewis">Michael Lewis</a> (2015)</li>
<li><a href="Barry_Jenkins" title="Barry Jenkins">Barry Jenkins</a> and <a href="Tarell_Alvin_McCraney" title="Tarell Alvin McCraney">Tarell Alvin McCraney</a> (2016)</li>
<li><a href="James_Ivory" title="James Ivory">James Ivory</a> and <a href="Andr%C3%A9_Aciman" title="André Aciman">André Aciman</a> (2017)</li>
<li><a href="Debra_Granik" title="Debra Granik">Debra Granik</a>, <a href="Anne_Rosellini" title="Anne Rosellini">Anne Rosellini</a>, and <a href="Peter_Rock_(novelist)" title="Peter Rock (novelist)">Peter Rock</a> (2018)</li>
<li><a href="Greta_Gerwig" title="Greta Gerwig">Greta Gerwig</a> and <a href="Louisa_May_Alcott" title="Louisa May Alcott">Louisa May Alcott</a> (2019)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">2020s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Chlo%C3%A9_Zhao" title="Chloé Zhao">Chloé Zhao</a> and <a href="Jessica_Bruder" title="Jessica Bruder">Jessica Bruder</a> (2020)</li>
<li><a href="Maggie_Gyllenhaal" title="Maggie Gyllenhaal">Maggie Gyllenhaal</a> and <a href="Elena_Ferrante" title="Elena Ferrante">Elena Ferrante</a> (2021)</li>
<li><a href="Sarah_Polley" title="Sarah Polley">Sarah Polley</a> and <a href="Miriam_Toews" title="Miriam Toews">Miriam Toews</a> (2022)</li>
<li><a href="Cord_Jefferson" title="Cord Jefferson">Cord Jefferson</a> and <a href="Percival_Everett" title="Percival Everett">Percival Everett</a> (2023)</li>
<li><a href="Peter_Straughan" title="Peter Straughan">Peter Straughan</a> and <a href="Robert_Harris_(novelist)" title="Robert Harris (novelist)">Robert Harris</a> (2024)</li></ul>
</div></td></tr></tbody></table></div>
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</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q313466#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata3436" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q313466#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata3436" style="font-size:114%;margin:0 4em">Authority control databases </div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000121319326">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/49255278">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.worldcat.org/fast/209183">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJhhkQ9cXfjJ87KFtmTGpP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/120518252">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n87915233">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb12105261k">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb12105261k">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00464398">Japan</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Chabon, Michael"><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/CFIV086025">Italy</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35241176">Australia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0004038&CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://datos.bne.es/resource/XX885781">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.bnportugal.gov.pt/aut/catbnp/435026">Portugal</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p073513709">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90344979">Norway</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://katalog.nsk.hr/F/?func=direct&doc_number=000283592&local_base=nsk10">Croatia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.nlg.gr/cgi-bin/koha/opac-authoritiesdetail.pl?authid=193878">Greece</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lod.nl.go.kr/resource/KAC200903037">Korea</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://libris.kb.se/fcrv10wz2j31dvv">Sweden</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810596088505606">Poland</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007300573505171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058520648406706">Catalonia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/14691247">Belgium</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA03295556?l=en">CiNii</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/a81bcdd9-dbac-428b-80d0-af5367c7ea55">MusicBrainz</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/878352">Trove</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/120518252">DDB</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/029421764">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6321sgm">SNAC</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lux.collections.yale.edu/view/person/8ac21e75-e8df-4479-abaa-031a60edf304">Yale LUX</a></span></li></ul></div></td></tr></tbody></table></div></div><!--htdig_noindex--><div><div class="zim-footer">
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